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Man, when I actually finally put together this little circuit and put some data into memory that should show up as color and it showed up color, it was just one of those eureka moments and you re just shaking inside. It was just unbelievable. Here we had it in just a couple of chips. I had color, and then I had graphics, and then I had hi-res, and then I had paddles and sound to put games into the machine. It had dynamic memory it had the newest right type of dynamic memory that could expand almost forever. All sorts of slots with a little mini operating system that actually worked incredibly well. The Apple II was just one of those designs. Anybody could build things to add on to it, anybody could write programs, they could write sophisticated programs, they could write it in machine language, they could write it in my Basic. So that machine, there was just nothing stopping it. We knew we d sell 1,000 a month, but we couldn t afford to build them. So we sought money, and one of the first places we went to was Commodore. To the guy who had been the product marketing manager for the 6502 microprocessor that I had chosen. I had actually bought them at a show in San Francisco over the counter for 20 bills. He and his wife would hand them to us at the table. That s how we bought our first microprocessors that became the Apple I and Apple II, from this guy Chuck Peddle. He now was moving to Commodore to do a computer. We said, We ve got to show him the Apple II. So we brought him by the garage. I really respected the guy; he designed the microprocessor that I had chosen. He came to the garage and looked at the Apple II, and I put it through all its specs of bringing up quick patterns on the screen and scrolling text and playing games all the things I d done on it. He looked at it and didn t say too much. I figured he d be more impressed. We later heard that Commodore turned it down. We went in and spoke one day to Commodore s head of engineering, Andre Sousan, and Andre told us that his boss who ran Commodore, Jack Tramiel, had basically brought in Chuck Peddle and Chuck had talked him into No, you don t want to put all these exotic things like color into it. The truth is, he didn t know how to. No one knew how to do color cheap. There were boards out for small computers. Cromemco had a color system. You buy two boards for your Altair; each of those had more chips than the Apple II on it. So, just to add color, that s what it was like for most people. And Chuck Peddle said, You should do it cheap. We should just have black and white; we should have the cheapest keyboard you can imagine, the smallest screen, and just keep the costs way down. They wanted to make it cheap enough to be affordable. The funny thing is that the Apple II had so few parts, it was cheaper to build and still was much more of a computer. We didn t have to include a TV set, because we assumed everyone had their own.
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Livingston: Why didn t Commodore want it Wozniak: Good question. Andre Sousan very soon after (within weeks) left
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Commodore and came to Apple saying that he felt we had the right product and he wanted to be with us. They just missed the boat. I think it was that Chuck Peddle knew what he could design, but he knew that he couldn t design
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