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Using the Motion Editor panel
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As you get deeper into working with Flash, you will find there is a reason why the Timeline and Motion Editor panels are docked beside each other in the interface; motion is created in the timeline and manipulated in the Motion Editor. Make a change in one panel, and it is instantly reflected in the other. In previous versions of Flash, the Property Inspector, which is now the Properties panel, could be used to change the properties of an animation. This would include techniques such as ramping the speed of an animation, called easing, or even changing how an animation occurs such as adding or removing rotation. This is still true for shape tweens and classic tweens, but the true power of motion is realized in the Motion Editor. Though we are going to get deeper into using this panel s features in s 7 and 8, now would be a good time to stroll over to it and take a peek at it. Open the MotionPath.fla file. When the file opens, the first thing you will notice is there is an icon, as shown in Figure 1-18, beside the layer name. This zooming square icon indicates the layer is a tween layer. The term tween indicates that something is changing at some point in the layer we ll get into tweening in more detail later. The other thing you may have noticed, especially if you have used Flash, is there are no arrows between the keyframes. The tween span is indicated in blue, and because of the icon, the use of the arrow is not necessary. The dotted line you see on the stage indicates a tween path.
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If you are an After Effects user, you may be looking at that tween path and thinking, Nah, it can t be! Yes, it is a motion path, and just like an After Effects motion path, you can adjust that path by clicking and dragging one of the dots. Each dot represents a frame of the animation.
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Drag the playhead across the timeline, and you will see the leaf tumble, grow, and shrink as you move the playhead from left to right. Select the Leaf layer name on the timeline, and click the Motion Editor tab to open the Motion Editor, as shown in Figure 1-18. You may have noticed us mentioning After Effects when we talk about tweens and this panel. This is deliberate because this feature of Flash can trace its roots in a straight line back to After Effects. In that application, objects put in motion or otherwise manipulated over time have a full set of properties and guides for each layer of content in an After Effects project. The major property is motion. Flash users who use After Effects to create motion graphics for their Flash projects find the After Effects way of doing things to be relatively compact and simple. The result over the years has been Flash designers wondering why Flash didn t have this feature. Obviously enough of you asked the question because it was introduced in Flash CS4 and has been broadly accepted by the Flash community.
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Figure 1-18. A motion layer, tween path, and the Motion Editor panel
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Time for a history lesson. Back in 2000, one of us attended FlashForward 2000. That event is regarded by many of the old Flash hands as being Flash s Woodstock. It was at this conference that Adobe introduced its Flash killer : LiveMotion. LiveMotion used the same timeline as the Motion Editor. At the time, we (and many people at the conference) thought the timeline was a sweet idea, and eight years later, three years after it purchased Macromedia (which owned Flash), Adobe added this feature to Flash.
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If you have never used After Effects, now would be a good time to start easing you into the application, and we ll start with terminology. See those triangles beside the property names in Figure 1-18 If you click one, it rotates down, and the area is revealed. After Effects users call those triangles twirlies, and the term used to describe clicking one of them to reveal the contents of the area uses is to twirl down. We will be using these terms quite extensively when we talk about the Motion Editor panel.
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