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A less costly alternative, assuming you only have two zones to feed, is an amplifier that has built-in capabilities for serving two separate zones If you have more than two zones, another option is the NuVo Multi-Source/Multi-Zone system This distribution system has the capacity to handle six sources and six zones It contains built-in amplifiers and source distribution systems This system costs US$2,09495
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When designing your audio and video distribution system, the ideal situation is to have a signal that is balanced between all zones As a rule, RG-6 coax cable loses between 2 and 6dB per 100 feet When you add a passive splitter or combiner, expect to lose between 4 and 6dB for each two-way splitter, and between 6 and 9dB at each four-way splitter Add up the total of your coax cable run along with any splitters and combiners, and add amplifiers inline if needed so that all your zones have the same signal strength Additionally, it is a good idea to make sure your incoming signals are all balanced so they enter the amplifier with the same signal strength This information can be approximated by examining the outputs from each of your devices For example, if your DVD signal is piping in at 5dB and your cable line is coming in at 15dB, install a 10dB attenuator on your cable line prior to its connection to a modulator
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Attenuator pads are a lot like resistors in electronics work That is, they knock down the power of a signal This helps not only balance your signals, but it prevents so-called hot signals from overwhelming your system Additionally, attenuators cut back the power so that, when modulated with other signals and amplified, they will not create extraneous noise Attenuator pads are cheap, so don t wince at buying them They come in 3dB, 6dB, 10dB, and 20dB specifications for US$159 each at Smarthomecom If you need (or expect to need) more than one, you can find mixed bags containing two of each specification for US$1199
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Make sure your signals do not exceed the maximum output of your amplifier, or else noise will be introduced into the signal Your output level can be calculated by adding the amplifier gain (amplifier gain is the amount the device increases the amplitude of the signal relative to itself That is, if the amplifier gets a 1-volt signal and the output is 5 volts, then the amp has provided a gain of 5 times) to the input signal level On long runs of cable, you should use a tilt compensator to bring the higher frequency signals into balance with the lower frequency signals This shift occurs because high frequencies lose strength faster than low frequencies Tilt compensators are US$1999 devices that screw in to your video line and ensure that you re getting good image quality from both the high end of the frequency range and the low end How do you know which signals reside where Table 13-1 shows which channels exist within which frequency Each channel uses about 6 MHz of bandwidth
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FM VHF Low-mid band (CATV channels 95 99) Mid band (CATV channels 14 22) Super band (CATV channels 23 36) Hyperband (CATV channels 37 64) UHF (Broadcast channels 14 69/CATV 65-140) Table 13-1
Which Channels and Signals Use Which Frequencies
Frequency
88 108 MHz 54 211 MHz 90 115 MHz 121 169 MHz 216 295 MHz 300 463 MHz 468 890 MHz
Connecting Whole-House A/V
Televisions, DVD players, and digital video recorders certainly make a whole-home A/V system utilitarian (not to mention cool), but the heart of the system isn t what you see it s what you don t see Buried in the walls are runs of coaxial cable, feeding the various zones from a distribution system In this example, we are connecting a four-zone system That is, coaxial cable and speaker wire will be run from our A/V cabinet to the family room, the living room, and two bedrooms We ll talk you through the installation of each component (the audio and the video) However, for best results, it s a good idea to pull the audio and video cabling at the same time This will reduce the severity of any headaches greatly
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