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The BD format is designed around some of the latest advances in digital audio and video, yet the players are also designed to work with HD TVs, SD TVs, and video systems of all varieties, as well as audio systems from monaural to surround As a result, the back of a player can have a confusing diversity of connectors producing a potpourri of signals One of the greatest difficulties for player manufacturers is determining how best to connect legacy equipment For example, if you are one of the video enthusiasts who purchased an HD Ready television when that meant the TV did not contain an HD tuner and only supported analog component (Y PbPr) high-definition inputs, you most likely will not be able to enjoy the best resolution images from a BD player The consumer device manufacturers
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3Sony launched a Blu-ray Disc recorder in 2003 in Japan, the BDZ-S77, to allow personal home recording of HD broadcasts, but it recorded on cartridge-type, version 1 media and would not play feature films
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want to protect their customers while the content industry wants to prevent the high-definition players from having (unprotected) high-definition analog video outputs The DVI, HDMI, and DisplayPort connection standards, in conjunction with disc authoring restrictions, can prevent the transmission of digital content to unprotected displays For those without a secure connection capability, their display may only be able to show a lower-resolution video stream (see The Analog Sunset section in 4) Another of the legacy connection issues that will be confronted by endusers has to do with digital audio signals There are millions of A/V receivers on the market that have built-in decoders for Dolby Digital and/or DTS audio Regrettably, none of these receivers directly support Dolby Digital Plus, DTS-HD, or Dolby TrueHD decoding, and very few provide a mechanism for delivering up to eight channels of uncompressed audio In fact, most continue to sport S/PDIF or Toslink connectors, which are only able to carry up to two channels of uncompressed audio data This is particularly problematic when a BD player is added to the setup because the BD disc formats include audio mixing capabilities that allow commentaries and sound effects to be mixed in with the feature audio content during playback This may pose a problem, because in order to mix audio from different encoded sources, it must all be decoded in the player and mixed in the uncompressed audio domain If any of the audio sources has more than two channels, the mixed result may exceed the capacity of a standard digital audio connection Several solutions are being effectuated for this audio bandwidth problem, among them an audio encoder embedded in the player that would recompress the high-bandwidth audio data into, for example, a Dolby Digital 51 stream for delivery to the legacy decoder Other solutions implement a bypass option, in which the user can choose to bypass audio mixing and send the primary Dolby Digital or DTS-encoded audio stream to his or her external A/V receiver Still other options require new A/V receivers to support HDMI or other high bandwidth methods for delivering up to eight channels of uncompressed digital audio BD players will provide a selection of output signals with a variety of connections j Analog stereo audio This standard two-channel audio signal can include Dolby Surround encoding
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j Digital audio This raw digital signal can connect to an external digital-to-ana-
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log converter or to a digital audio decoder in an A/V receiver There are two signal interface formats for digital audio S/PDIF and Toslink Both formats can carry pulse-code modulated (PCM) audio, multichannel Dolby Digital (AC3) encoded audio, and multichannel DTS encoded audio
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