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puters, graphics cards, and other CE devices Figure 713 DisplayPort Connector
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There are two more connection types which do not require physical connectors j Wireless networking (WiFi) These connections, based in the IEEE 80211 local area network standard, transmit data without cables in the 24 GHz radio-frequency band j Wireless video (Wireless HD [WiHD], Wireless HDMI, Wireless Home Digital Interface [WHDI], Ultra-wideband [UWB]) Various technologies and formats for in-room or multi-room wireless video area network (WVAN) transmission of compressed or uncompressed digital video and audio without cables
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To hear the audio from a BD player, the player must be connected to an audio system a receiver, a control amp or preamp, a digital-to-analog converter, an audio processor, an audio decoder, an all-in-one stereo, a TV, a boombox, or other equipment designed to process or reproduce audio
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The digital audio outputs provide the highest-quality audio signal This is the preferred connection for audio systems that have them For multichannel audio output, the encoded digital signal bypasses the player s internal decoder, and the appropriate decoder is required in the audio receiver or separate audio processor For PCM audio output, the PCM signal is sent directly to the digital audio output Alternatively, the multichannel decoder in the player may produce the PCM signal, but it is restricted to a maximum of two output channels when using S/PDIF or Toslink In either case, a digital-to-analog converter (DAC) is required, which may be built in to the receiver or may be a peripheral device connected to the receiver Some players provide separate outputs for multichannel audio and PCM audio Other players have either a switch on the back or a section in their onscreen setup menu where you can choose between PCM output and multichannel output (undecoded Dolby Digital or DTS audio) The multichannel output menu option is usually labeled AC-3 or Dolby Digital/DTS The digital audio output must be connected to a system designed to accept, at least, PCM, Dolby Digital (with optional Dolby Digital Plus and Dolby TrueHD), or DTS Digital Surround (with optional DTS-HD Audio) Most modern digital receivers can automatically sense the type of incoming signal Some players include a dynamic range control setting (also called midnight mode) that boosts soft audio and reduces loud sound effects It is recommended that this setting should be turned off to achieve the best effects with a home theater system, but you may wish to activate it for situations where the dialogue cannot be clearly heard, such as when everyone else in the house has gone to bed and the volume is down low Additionally, Dolby Digital has a feature called dialog normalization, which is designed to match the volume level from various Dolby Digital programs or sources Each encoded audio source includes information about the relative volume level Dialog normalization automatically adjusts the playback volume so that the overall level of dialog remains constant It
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makes no other changes to the audio, including dynamic range; it is equivalent to manually turning the volume control up or down when a new program is too soft or too loud Usually, only one setting exists in a program, which means the volume control does not change in the middle Dialog normalization is especially useful with a digital television source to handle variations in volume when changing channels Connecting Multichannel Digital Audio BD players can send uncompressed (PCM) multichannel digital audio to a display or to the sound system through an HDMI connection This is the easiest and the highest quality option, better even than sending Dolby Digital and DTS to the built-in decoders in the receiver, as it includes the complete audio mix from the player Arguments abound about what kind of cable provides the best sound, but as long as the digital signal makes it through intact, the audio will be faithfully reproduced (See A Few Timely Words about Jitter in 2) Simply connect the HDMI cable between the player and an HD display or projector, or an A/V receiver that can do HDMI video switching Connecting Two-channel Digital Audio Two different standards govern the standalone digital audio connection interface: coaxial and optical The arguments are many and varied as to which is superior, but since they are both digital signal transports, high-quality cables and connectors will deliver the exact same data Some players have only one type of connector, although many players have both Coaxial digital audio connections use the IEC-60958-1 for PCM, also known as S/PDIF (Sony/Philips Digital Interface Format) Most players use RCA phono connectors, but some use BNC connectors Use a 75-ohm rated cable to connect the player to the audio system Multichannel connectors usually are labeled Dolby Digital or AC-3 PCM audio connectors usually are labeled PCM, digital audio, digital coax, optical digital, etc Dualpurpose connectors may be labeled PCM/AC-3, PCM/Dolby Digital, or something similar Be sure to use a quality cable; a cheap RCA patch cable may degrade the digital signal to the point that it will not allow the signal to pass Optical digital audio connections may use the EIAJ CP-340 standard, known as Toslink Connect an optical cable between the player and the audio processor The connectors are labeled Toslink, PCM/AC-3, optical, digital, digital audio, or the like If the connection (either coaxial or optical) is made to a multichannel audio system, select Dolby Digital/AC-3 (or DTS or MPEG multichannel) audio output from the player s setup menu or via a switch on the back of the player If the connection is to a standard digital audio system (including one with a Dolby Pro Logic processor), select the PCM audio output instead In cases where a player has an optical (Toslink) connection but the audio system has a coaxial (S/PDIF) connection, or vice versa, a low-cost converter may be purchased
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