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Sony and Philips had reinvigorated optical storage technology when they introduced Compact Disc Digital Audio in 1982 This was known as the Red Book standard because of the red cover on the book of technical specifications The first CD players cost around $1,000 (over $2,000 in 2007 dollars) Three years later, a variation for storing digital computer data CD-ROM was introduced in a book with yellow covers As CD-ROM entered the mainstream, original limitations such as slow data rates and glacial access times were overcome with higher spin rates, bigger buffers, and improved hardware CD-ROM became the preeminent instrument of multimedia and the standard for delivery of software and data After introducing CD-ROM, Sony and Philips continued to refine and expand the CD family In 1986, they produced Compact Disc Interactive (CD-i, the Green Book standard ), intended to become the new system for interactive home entertainment CD-i incorporated specialized file formats and custom hardware with the OS-9 operating system running on the Motorola 68000 microprocessor Unfortunately, CD-i was obsolete before it was finished,
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7124 Mbps is the data rate of active video at ITU-R BT601 4:2:0 sampling with 8 bits, which provides an average of 12 bits per pixel (720 480 30 12 or 720 576 25 12) The commonly seen 270 Mbps fig-ure comes from studio-format video that uses 4:2:2 sampling at 10 bits and includes blanking intervals At higher 4:4:4 10-bit sampling, the data rate is 405 Mbps
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and the few supporting companies dropped out early, leaving Philips to stubbornly champion it alone before finally giving up in the mid 1990s The Orange Book standard was developed in 1990 to support magneto-optical (MO) and write-once (WO) technology MO had the advantage of being rewritable but was incompatible with standard CD drives and remained expensive CD-WO was superseded by Orange Book Part II, recordable CD (CD-R) Recordable technology revolutionized CDROM production by enabling developers to create fully functional CDs for testing and submission to disc replicators As prices dropped, CD-R became widely popular for business and personal archiving MPEG-1 video from a CD was demonstrated by Philips and Sony on their CD-i system in 1991 The CD-i MPEG-1 Digital Video format was used as the basis for Karaoke CD, which became Video CD, a precursor to DVD About 50 movies were released in CD-i Digital Video format before a standardized version appeared as Video CD (VCD) in 1993, based on proposals by JVC, Sony, and Philips and documented as the White Book specification Not to be confused with CD-Video (CDV), Video CD used MPEG-1 compression to store 74 minutes of near-VHS-quality audio and video on a CD-ROM XA bridge disc8 Video CD 20 was finalized in 1994 Video CD did quite well in markets where VCRs were not already established, but Video CD never fared as well in Europe, and almost qualified as an endangered species in the United States Erasable CD, part III of the Orange Book standard, did not appear until 1997 The standard was finalized in late 1996, and the official name of Compact Disc Rewritable (CD-RW) was chosen in hopes of avoiding the disturbing connotations of erasable Around 1999, the prices of CD-R/RW drives and blank CD-R discs dipped enough to provoke their widespread use for recording custom music CDs This, plus the proliferation of MP3 music files across the Internet, drove a worldwide demand for 13 billion CD-Rs in 1999, with an estimated 30 to 40 percent being used for music
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Shortly after the introduction of CDs and CD-ROMs, prototypes of their eventual replacement began to be developed Systems using blue lasers achieved four times the storage capacity, but were based on large, expensive gas lasers because cheap semiconductor lasers at that wavelength were not available In 1993, 10 years after the worldwide introduction of CDs, the first next-generation prototypes neared realization Some of these first attempts simply used CD technology with smaller pits to create discs that could hold twice as much data Although this far exceeded original CD tolerances, the optics of most drives were good enough to read the discs, and it was possible to connect the digital output of a CD player to an MPEG video decoder The reality that CD technology tended to falter when pushed too far, however, soon became apparent Philips reportedly put its foot down and said it
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8This is actually quite amazing when you consider the difference in data bandwidth between audio and video VCD, using MPEG-1 compression, made it possible to store just as much video (and its accompanying audio) on a compact disc as CD audio can store for audio alone The difference, of course, is that VCD used data compression while CD audio did not
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