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In January 1996, companies began to announce their DVD plans for the coming year The road ahead looked smooth and clear until the engineers in their rose-colored glasses, riding forecast-fueled marketing machines, crashed headlong into the protectionist paranoia of Hollywood As the prospect of DVD solidified, the movie studios began to obsess about what would happen when they released their family jewels in pristine digital format with the possibility that people could make high-quality videotape copies or even perfect digital dubs Rumors began to surface that DVD would be delayed because of copyright worries On March 29, the Consumer Electronics Manufacturers Association (CEMA) and the Motion Picture Association of America (MPAA) announced that they had agreed to seek legislation that would protect intellectual property and consumers rights concerning digital video recorders They hoped their proposal would be included in the Digital Recording Act of 1996 that was about to be introduced in the US Congress Their recommendations were intended to j allow consumers to make home video recordings from broadcast or basic cable television, j allow analog or digital copies of subscription programming, with the qualification that digital copies of the copy could be prevented, and j allow copyright owners to prohibit copying from pay-per-view, video-ondemand, and prerecorded material The two groups hailed their agreement as a landmark compromise between industries that often had been at odds over copyright issues They added that they welcomed input from the computer industry, and input they got! A week later, an agitated group of 30 computer and communications companies fired off a list of critiques of the technical specifications that had been proposed by Hollywood and the consumer electronics companies They were less than thrilled that MPAA and CEMA had attempted to unilaterally dictate hardware and software systems that would keep movies from being copied onto personal computers The computer industry said it preferred voluntary standards for content protection and objected to being told exactly how to implement things Hollywood countered that the computer industry had been invited to participate early on but did not, either due to laziness or arrogance The news media was filled with reports of DVD being stalled, embattled, and derailed In anticipation of the imminent release of DVD, and with content protection details still unresolved, the MPAA and CEMA announced draft legislation called the Video Home Recording Act (VHRA), designed to legally uphold content protection, which included the insertion of a 2-bit identifier in the video stream to mark content as copy-prohibited The two groups had been working on the legislation since 1994, apparently without directly consulting the computer industry, which filed a letter of protest against the proposed legislation, requesting that an encryption and watermarking scheme be used as a technical alternative to legislation The content protection technology eventually became the much more complex CSS, and the legislation mutated into the Digital Millennium Copyright Act (DMCA) On June 25, Toshiba announced that the 10 companies in the consortium had agreed to
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integrate standardized content protection circuits in their players, including a regional management system to control the distribution and release of movies in different parts of the world Many people understood this to mean that the content protection issue had been laid to rest, not realizing that this content protection agreement dealt only with analog copying by using the Macrovision signal-modification technology to prevent recording on a VCR The manufacturers, still clutching their dreams of DVD players under Christmas trees and hoping to keep enthusiasm high, conveniently failed to mention that Hollywood was holding out for digital content protection as well At the end of July, more than a month after a content protection settlement was to have been made, the DVD Consortium the hardware side of the triangle agreed to support a content protection method proposed by Panasonic The Copy Protection Technical Working Group (CPTWG), representing all three sides of the triangle, agreed to examine the proposal, which used content encryption to prevent movie data from being copied directly using a DVD-ROM drive The big news finally arrived on October 29, 1996 the Copy Protection Technical Working Group announced that a tentative agreement had been reached The modified copy protection technology developed by Panasonic and Toshiba, called Content Scramble System (CSS), would be licensed through a nonprofit entity, later formed and named the DVD CCA (Copy Control Association) Panasonic and Toshiba debuted DVD players in Japan on November 1, a dismal rainy day with lackluster player sales and a handful of discs, mostly music videos Warner Home Video began sales in Japan of four major movie titles The Assassin, Blade Runner, Eraser, and The Fugitive on December 20 Players from Panasonic and Pioneer finally began to appear in the United States in February as more movies and music performance videos were announced from Lumivision, Warner Bros Records, and others Eager customers bought the players, only to discover that no titles other than those from Lumivision were scheduled to appear before the end of March Warner, the primary supplier, limited its release to seven test cities DVD had finally embarked, late and lacking some of its early luster, on the rocky road to acceptance
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