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Andy Parsons
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Preface
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I ve concluded that writing a book is a bit like having a baby (although clearly not in the same league) It takes a few years before you forget just how hard it was enough that you rashly sign up for another one And, as with a child, you hope that it comes out all right and that people like it when you let it loose on the world Luckily, I had a team of similarly rash co-authors who made it all possible I am indebted to Chuck, Chris, and Mike for their knowledge, their hard work, and their good natures Special thanks again to Samantha Cheng for keeping everything together and everyone on track I d like to acknowledge my colleagues at Sonic Solutions, who considerately support my literary endeavors I wrote the original DVD Demystified in 1997 because I was captivated by DVD, an extraordinary new technology that I wanted to tell everyone about I knew almost nothing when I started, so I began asking questions of anyone I could find who knew more than I did Literally hundreds of people, far too many to list, contributed to the collection of know-how that I synthesized and disseminated over the years I m gratified that, three editions later, DVD Demystified is still useful as a guide and reference for those who are just crossing the threshold of DVD as well as those who are venturing deeper into the maze of twisty passages I hope this new book is also useful for anyone eager to learn more about Blu-ray Disc technology Once again I am obliged to many people who have taken time to explain many things The art of optical media, interactivity, and digital video and audio progressed immensely in the decade after DVD debuted Descriptions of Bluray often come out sounding like a portrayal of a medieval ruler: rich, powerful, renowned, inscrutable, versatile, acclaimed, byzantine, stimulating, dominating But Blu-ray genuinely is a world-changing innovation it will reign for decades as the flag-bearer of highest quality home entertainment If this book benefits anyone who wants to take advantage of this important medium then my time writing it will have been well spent As always, my deep thanks to Steve Chapman at McGraw-Hill for putting up with far more than anyone should ever have to And to my congenial colleague, Andy Parsons, who always manages to start things off with an astute and thoughtful foreword I express my gratitude and my apologies to my wife and children, who allowed me to hole up for days on end when deadlines loomed, and came, and passed, and were finally met And thanks to Fleischman and Arthur, who, as always, have been solidly supportive
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Jim Taylor
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xxii
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Acknowledgments
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Team work, that s what it s all about This book, without a doubt, could not have been written without the generosity of spirit, time and expertise from our friends and colleagues On behalf of the authors Jim Taylor, Chuck Crawford, Chris Armbrust and Mike Zink, thank you To the team at McGraw-Hill Professional Steve Chapman, David Fogarty, Pamela Pelton, Alexis Richard, Jeff Weeks, and David Zielonka, thank you Our friends at Technicolor/Thomson Bob Michaels, Chuck Null, and Miles Del Hoyo in Burbank; Jobst H rentrup and Ralf Ostermann in Germany; and Masaru Yamamoto in Japan, thank you Thank you to Jim Burger, Benn Carr, Alan Bell, and Brad Collar for your advice and assistance To the incredible team of technical reviewers, thank you for keeping us honest Scott Bates, Jess Bowers, Denny Breitenfeld, Chris Brown, Augusto Cardoso, Annie Chang, Brad Collar, Yoshiharu Dewa, Roger Dressler, Lee Evans, Bill Foote, Roger Gekchyan, Greg Gewicky, Bill Hofmann, Koen Holtman, Jinha Kim, Van Ling, Phillip Maness, Kyle Prestenback, Joe Rice, Daniel Robertson, Craig Smithpeters, Phil Starner, Paul Wenker and Bram Wessel Thank you to Mark Johnson and Shu-Ping Lu at Javelin Ventures in Glendale A very special thank you to Phil Starner if not for Phil s commitment to the format and this project there would be no demonstration disc Thank you to the Blu-ray Disc Association for their development support of the demonstration disc; the production team in Washington, DC Keith Wood, Nathan John Best, Jamie Pickell; Chris Cardno, Visual Edge; Ari Zagnit, and Aaron Rehm, Henninger Media Services; and Thomas Bennett; the Graphics and Blu-ray teams at Technicolor Kristine Bailey-Mayers, Eric Bashore, Paul Batrikian, Xian Chen, Jay Clinton, Marcus Clinton, Marc Delafin, Steve Ehrgott, Attila Fruttus, Robert Gekchyan, Andrew Giacumakis, Daniel Haffner, Tom Jaeger, Zheng Lu, Chengwu Luo, Guozhi Ma, Paul Resendi, Rinzi Ruiz, Vahe Stambultsyan, Ryan Whearty and John Town, HES Camarillo; and the Blu-ray team at Sonic Solutions Paul Wenker, Kevin Baribault and the entire QC department It was my pleasure to work with all of you
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