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As you can see from the figure, development comprises multiple ladders of the same type, all defined by skills in a particular technical or creative area To move up the ladder you re on, you need to improve your proficiency in that area You do this primarily through experience on the job, but you can also get professional education as you go along for example, by taking courses and reading articles to keep up-to-speed on the latest tools and technologies On the development ladders, the actual nature of the work doesn t tend to change much as you get promoted; you simply get more responsibility and more critical (and
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harder!) tasks to do A junior programmer and senior programmer both spend most of their time programming Only when you get to be a lead programmer do responsibilities start to shift: you take on administrative, management, and leadership tasks and have to give up some of the actual coding Notice that, compared to the production ladder, the development ladders start high up in terms of responsibility, authority, and pay Programming, art, and audio design require more skills and training than testing or customer service, so you come in at a better rate of pay On the other hand, the development ladders are also shorter At the upper echelons of company management, you have to stop writing code and start concentrating on other things: leading people and making money If you re a great programmer, the company will want to keep you doing programming You can only continue moving upward if you can persuade the company that you re actually a better manager than you are a programmer If you want to continue to be promoted, you ll have to shift to a different ladder
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Advancement up the production ladder is based not on your mastery of a particular technical or creative skill, but on more intangible qualities: leadership, organization, flexibility, attention to detail, and, above all, a peculiar characteristic called product sense Product sense is the ability to tell whether a half-finished game, or even just a game idea, is going to be fun or not, if it s going to sell well, and, most importantly, what s needed to fix it if these things are lacking You can have no technical or artistic skill at all, and be completely unable to build a game, and yet still have brilliant product sense The people who have a high degree of product sense can make millions for their company The first thing you ll notice about the production ladder in Figure 6-1 is that it goes from the very bottom of the company to the very top If you can demonstrate excellent product sense and management capability, you can just keep moving up, producing first individual games, then whole product lines, and finally being in charge of all of production At this level, your work will consist almost entirely of financial and product planning, and all the creativity will have gone out of it but the option is open to you if you have what it takes Publishers tend to promote people who make money for them It s that simple The entry level on the production ladder is very low If you don t have any development experience or special training, you can still get a job in the business, but it will be poorly-paid donkey-work at the start There s not a lot of creativity or self-expression in testing video games, and not a lot of money either However, if you re passionate enough about games to take any job that s going, then grab that bottom rung and start hauling yourself up
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