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One of the most effective ways to enhance the contents of a CD-ROM or DVD-ROM title is through music With a variety of music presentation formats, ranging from the compact shorthand of MIDI to Dolby 51 Surround Sound, developers must make critical choices when budgeting space for music, as well as nding the best means to integrate the music within a given title This entire chapter is devoted to a single Expert s View George Sanger, aka The Fat Man, has made a career out of the skillful application of music to CD-ROM games and other interactive media titles From his base of operations in Austin, Texas, George brings together other talented musicians and composers the heart and soul of Team Fat and crafts memorable musical themes that frequently accompany the bestselling CD-ROMs in the gaming market His yearly Project BBQ attracts the key gures in interactive music both from the technology side of the industry and the musician s side If you re contemplating adding music to a project that you re developing, the following interview should give you the appropriate perspective to proceed in the right direction
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Expert s View: George Sanger Talks about Interactive Music
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Do you work exclusively in MIDI or do you also do full audio tracks Absolutely full audio My lips hurt I was playing trumpet and french horn all last night It's killing me Yeah, any blessed thing that will make noise and will sound a little less like a piece of plastic and a little bit more
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like a heart beating is a good thing We at Team Fat will leap all over that like boots on a rattlesnake But you also do strictly MIDI soundtracks as well, don't you Oh, sure I did the rst General MIDI sound track to a game ever How do you feel about some of the expanded formats, such as MIDI-XG General MIDI got off to a pretty shaky start I started doing General MIDI when there was only one device that supported it the Roland Sound Canvas I made a big deal about it in the manual for The Seventh Guest The Seventh Guest went out and sold a million and a half copies when the previous top-selling multimedia product had only sold 20,000 copies So, all of a sudden in swell foop [chuckles theatrically] God, I love that multimedia stopped being the 0-billion dollar industry ; it started being an actual viable business And, General MIDI became The Thing So, these General MIDI instruments started coming out Basically, they did not play back the music as predicted There was no spec there was nothing in the General MIDI spec to say how loud one instrument sound should be compared to another So, instrument sounds would just get lost or would come blaring out suddenly It was a real mess So, I started a campaign and a service to x that I never really made any money on it, but I think that between us (FAT Labs) and the eventual acceptance of what we were doing by the MIDI Manufacturers Association, we got it where General MIDI now is pretty much a workable standard That required a lot of effort And, it paid back well in terms of saving people from having to listen to terribly distorted music I thought I saw your name attached to approval of a sound board that had XG capabilities If there was a quote from me I love those Yamaha guys and I love those Yamaha instruments it was probably something like this: The product was balanced very well for General MIDI and that when you play back General MIDI on that instrument or you write it on that instrument, you're working within a very compatible system I won't associate my approval with MIDI-XG, although I am really enjoying my XG stuff, but I don't believe that we've got a set of standards now
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