qrcode.net c# example Styles and Types of Typefaces in Software

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Styles and Types of Typefaces
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There are two basic categories of typefaces a designer uses daily:
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Roman The characters (called glyphs by typographers) consist of thick and thin stems (called strokes) providing good contrast between characters to make long paragraphs at small point size easy to read Gothic The characters are made up of strokes of even or almost-even widths This makes a Gothic font an excellent choice for headlines with impact and official signs
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CHAPTER 13:
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Typography Rules and Conventions
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Within the categories of typefaces, there are two more branches: serifs and sans (from the Latin without ) serifs Serifs are an embellishment at the end of a stroke in a character; their original purpose was both as a flourish when scribes would hand-copy manuscripts and, as typesetting was invented, serifs made the wooden and metal slugs easier to remove from the surface the slug was pressed into Typographers ages ago decided that a Gothic font could benefit from serifs and conversely, a Roman typeface could become more functional as a headline-style font by removing the serifs Designers now enjoy the use of both Roman and Gothic type cast in serif and sans serif treatments, examples of which are shown in Figure 13-1 In typographer s language, a font is usually part of a family of typefaces Optima, for example, has normal, italic, bold, and bold-italic as part of the font family; additionally, other weights of Optima, part of the Optima family, are available from several vendors you can find online Typeface, in contrast, is generally used to describe either a single member of a family (Optima Bold is a typeface) or a typeface that has no family members, such as Rockabilly
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Other Types of Typefaces
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The design world would be a fairly boring place today if there weren t other types of fonts designed by professionals Variations on the traditional Roman and Gothic typefaces abound
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Roman Serif Gothic Sans
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Gothic Serif
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Roman Sans
FIGURE 13-1
Examples of Gothic and Roman typefaces in serif and sans serif styles
CorelDRAW X4: The Official Guide
in the desktop publishing world and many defy classification On the CorelDRAW CD that contains objects and photos, you ll also find about a thousand typefaces, many of which would fit in the category of designer fonts: from classic to classy, very appropriate for packaging and logo treatments In the world of digital typefaces, an element of playfulness has snuck in, and we have grunge fonts that look as though the office photocopier s having a bad hair day, elegant script typefaces that are ideal for wedding invitations, Blackletter typefaces that span usage from fairytale stories to metal band logos, fonts that look like handwriting, and Pi (picture) fonts In Figure 13-2 you can see a small collection of different types of fonts gathered from the CorelDRAW disk and third-party vendors such as migr , The Font Bureau, and Stu s Font Diner
Distant Cousins in Typeface Families
Often, font families are written for normal, bold, bold-italic, and italic variations on a typeface However, as the need arose for specific printing purposes, typographers extended font families to include expanded versions compressed, condensed, engraved, stenciled, and professional sets that include characters not regularly written to standard typeface sets For example, Helvetica, Futura, and Goudy come in more than 17 flavors from different typeface foundries Typeface manufacturers have retained the name foundry from the days when typefaces were cast from metal using a forge, much like a metal foundry that manufactures machine parts When shopping and using Bitstream Font Navigator (included with CorelDRAW, discussed later in this chapter), it s important to know a few of the fancier variations on typeface families Below are examples of a small caps typeface: it s appropriate for formal announcements and doesn t assault the reader as ALL CAPS does! Look for SC in a font name; typographers often use it to denote this
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