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Embellishments: Bevels, PowerClips, and Shadows
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hen you need something more than distortions, blends, and contours, but your design doesn t require a full-blown 3D extrude look, elements of photorealism can push a design in your intended direction This chapter takes a look at automated and a few manual techniques you can use to add shadows, an engraved look, and reflections and highlights to a composition Professional designers and illustrators often look for speedy ways to create a sense of depth in their layouts and drawings For design and graphics, adding a sense of depth using drop shadows is one of the easiest ways to do this CorelDRAW s drop shadows have become a favorite because they re so fast to create and easy to work with You can create soft, transparent shadows in seconds and edit them to perfection with just a few quick clicks
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If you ve tried the Extrude effect on text to give a headline more punch and the result was stunning but illegible, you can still achieve a sort of 3D effect and retain the distinctness of an object via the Effects | Bevel docker The Bevel docker offers two different types of engraving effect: Emboss and Bevel The Emboss effect is an automated routine that creates duplicates of an object, offsets them, and gives them different colors to create the effect of, for example, a seal crimped onto a piece of paper like notary publics used to do Although you can manually create this Emboss effect, the Bevel docker creates a dynamic, linked group whose color and position can change when you define different light intensities and light angles Figure 23-1 shows an example of a before and after using the Emboss effect If you choose to use Emboss, it s a good idea to create a background for the object (because either the highlight or the shadow object might not be visible against the page background), and usually a color similar to the background will serve you well for the object color You can
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Two offset duplicates create the effect
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The Emboss Bevel effect is performed by generating two duplicates of the object and offsetting them
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CHAPTER 23:
Embellishments: Bevels, PowerClips, and Shadows
use any fill, including bitmaps and Fountain fills, for the object you want to emboss, but the resulting emboss objects will not feature the fill, but only solid (uniform) colors Here you can see the Bevel docker and the options you have while applying the Emboss effect
Ill 23-1
Style (Emboss or Bevel)
Distance of objects from control object Shadow color Highlight color
Controls contrast of effect Controls angle of Emboss
Emboss might not be the most sophisticated of all filters and effects, but it is effective, prints well, and the creation of an Emboss effect is fairly intuitive Here s a rundown of what the options do on the Bevel docker in Emboss mode:
Bevel Offset-Distance (The To Center option is only available in Bevel mode) This combination num box and spin box is used to set the distance of the duplicate objects from the original You don t gain anything visually by setting a high value for an object; rather, this box is used to set a relational distance, depending on the size of the object to which you apply the Emboss effect For example, a 4" object will look nice and embossed if you use a 009" Distance, but the effect looks a little phony at greater distances On the other hand, an 8" object will probably not look embossed with a 009" Distance setting 016", however, scales the effect proportionately to the object and the emboss looks good Use distance as a scaling factor Also, distance does not auto-scale when you scale the control (parent) object Therefore, if you need to resize an object, plan to redefine the Distance for the Emboss effect after you scale the parent object
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