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CorelDRAW X4: The Official Guide
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4 The Detail tab has a slider for sharpening the image as well as sliders for reducing
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Luminance Noise and overall Color Noise This photo doesn t require these enhancements The Hints area at the bottom of the tab is a handy context-sensitive reminder of what each slider does, and before you take your next Raw image, it s good practice to get it right in the camera You ll get less noise in a photo generally if you set your camera to slower ISO speeds The ISO of 50 in this example image produced very little visible noise (similar to grain in traditional physical film), but an ISO setting of say, 400, for the camera that took this photo would indeed have required noise reduction using the Detail sliders
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5 Click the Color tab; here s where the fun begins Follow the callout letters in
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Figure 26-4 to guide you through which features do what
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The A area is for rotating the Raw image before placing the copy into your CorelDRAW document Raw camera data can also include portrait and landscape orientation, so you might never need to use these buttons if your camera saved orientation info
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C D E F G H I J K L M L
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FIGURE 26-4
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Use the Raw Lab to color- and tone-correct high-quality digital images
B marks your navigation tools for previewing the image From left to right you have tools for panning the window (you click-drag when your cursor is inside the preview window), zoom in and out, Fit To Window, 100 percent (1:1) viewing resolution, and finally a slider to zoom your current view in and out C marks the split pane view (shown in the previous illustration) so you can compare the original image to any corrections you make D marks the Color Depth You d be ill-advised to change this from 48-bit, because only a high-depth image can be adjusted extensively without taking on banding and color clipping (explained shortly) The only reason you d choose 24-bit from the selector list is if the image were flawless and you wanted to get down to work by placing it in your document and saving space on your hard disk
CorelDRAW X4: The Official Guide
E marks the White Balance selector You have many choices that influence the color casting of the Raw image Ideally, you want the placed image to be casting neutral; the grays in the image contain no hues, and the photo looks neither too warm nor too cold You have selections such as Tungsten, Cloudy, and other lighting conditions that influence the color cast of images As Shot is the default setting, and this image appears to be fine As Shot F is the White Balance eyedropper tool, used to define a completely neutral area in the preview window to better set and possibly neutralize color casting The cursor for this tool gives you an RGB readout of the current area in the preview photo; this is the true color over a pixel, and not the ideally neutral color You click over an area you believe should contain equal amounts of red, green, and blue components (R:64, G:64, B:64, for example), and this action remaps the image to reflect the color casting in the image based on where you clicked Although it s a useful tool, you might not have a photo that contains a perfectly white or a perfectly neutral gray area; if this is the case, don t use this tool G marks color Temperature and Tint, perhaps the least intuitive of Raw digital image properties The values in the Raw Lab s color Temperature controls run from low at the left of the slider (cools down warm images) to high at right (warms cool images) The temperature controls, specifically values you enter in the numeric field, are not degrees of Kelvin; they are correction values only for you to refer to and compare with other settings and other images However, it is correct to think of color temperature in general as measured in degrees Kelvin You might want to uncorrect a perfect image to make it warmer or colder: try setting the color Temperature for this image to 10,000 to warm the sky a little and to accentuate the brick red of the building The Tint slider is the color complement of the color Temperature control; a neutral temperature displays a band on the Tint slider from magenta at left to green at right You always use Tint after you ve set Temperature because Tint varies according to temperature H is the Saturation control, which is mostly self-explanatory it s used to compensate for dull photographs (you increase Saturation) or for overly colorful images (you de-saturate by dragging to the left with the slider) I marks the Exposure control Exposure is not the same as, for example, the brightness/contrast controls on a TV set or the Levels command in image editing applications Exposure is the total light that falls on a scene, and it s set when you take a picture by setting the ISO value Therefore, it s always a good idea to double-check the info in the Properties tab: if the ISO is a low value and the picture looks dark or muddy, then Exposure is probably the Color option that needs adjusting
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