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In the meanwhile, the big networks, some cable broadcasters, PBS and its local affiliates, and some local stations are broadcasting HDTV programming in the United States, even though there are few digital TV sets or receivers to display them Prices of HDTV sets are simply too high at the moment for the average person, and there is not much HDTV programming available In fact, some TV manufacturers such as Sony and Konka (Korean) delayed their DTV set production until the programming issues are worked out Some programmers have also cut back their HDTV broadcasts until the same In general, digital terrestrial broadcasting is experiencing very slow growth In the United Kingdom and elsewhere in Europe, ONdigital began broadcasting November 18, 1998 Rebranded to ITV Digital in July 2001, this network is currently experiencing a lot of turnover and subscriber churn CHANGE EVERYTHING
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Nothing was as influential as the arrival of the Internet, however For the next several years, usage of the Internet grew and a new industry was born Although many people quickly migrated to jobs at Internet companies, because that s where the money was going, a few rebellious projects, hidden from view, began to explore the possibilities of ITV and large companies began to invest hundreds of millions of dollars to find out if interactive technologies could also be applied to the medium of television
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One small start-up company called Telemorphix (I was a member of the team) formed around 1992 1993 and tried their luck on a 1-hour live show they developed called 21st Century Vaudeville A show which played once a week on a leased cable channel from Viacom (a cable franchise now owned by AT&T) in San Francisco, 21CV, as it was called in short, became a cult hit in town 21CV ran for 6 months there, for a year in Boston in partnership with local station WMFP, and traveled in the Electronic Carnival with the Lalapolooza tour Viewers who saw the show could call in via an 800 number that flashed on the screen Once in the virtual green room, the viewer could request to become another cartoon character, from which there were hundreds to choose the Punk, the Fork, the StickMan, etc Viewers could also fax in a drawing of their own, which would then be animated by the producers Eventually, it would be the viewer s turn to appear on a TV intercut with Jack In between music videos that were submitted by viewers, Jack and a character appeared one at a time When the viewer talked into their telephone mouthpieces their voice came out of the TV set, which also triggered the mouth of the character to move (the mouth was preanimated by producers offline) Each character interacted with Jack in an ad hoc way Some viewers would take on the personification of the character, or were simply themselves The effect was marvelous In some
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ways, this was truly interactive TV in the purest sense (eg, personalities interacting with other personalities) Unfortunately, the company suffered a financial breakdown and everything had to be sold Additional experiments like this and other start-ups experimenting with ITV technologies such as the beleaguered NetChannel (eventually bought by AOL to serve their AOLTV platform), TV Answer, and Interactive Television Network (ITN) lost a lot of money and never got off the ground Although many industry pundits term these experiments failures, those in the industry know that this work paved the way for future developments and insights LARGE ERRORS Perhaps because of the potential that corporations saw in Internet interactivity and commerce and new developments in video compression, some cable and telecommunications firms began to test very large, very expensive, multiservice, highspeed ITV systems to see if ITV was possible (At that time, of course, everybody called it interactive television a term still in use today) Trials were sponsored by one company or a coalition of companies sometimes from different industry sectors In general, competitiveness and a belief that ITV would be a lucrative industry drove these companies to explore new methodologies and business models Services tested in the field included movies-on-demand (now called video-on-demand or VOD), walled-garden services featuring news and personal information portals, interactive gaming, home shopping, commerce applications, and interactive educational programming Tremendous errors in judgment were made, however Available technologies at that time were too expensive to support such an undertaking According to Daniel Levy, now vice president of client services at RespondTV, an ITV infrastructure services provider working with many of the biggest names in the business, these lessons still reverberate today Levy was in charge of the service style guide for the ill-fated Time Warner Full Service Network (FSN) project, which launched on December 14, 1994 in Orlando, Florida Over 4,000 homes, made up of mostly family units, had access to this
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