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typical audio CDs (a digital technology) Remember, this is an oversimplified example There are many variations in standards Frame and field schemes vary with different video and audio formats So, why do we need to go to all this trouble The reason is that once the media has been turned into digital data, the extreme power of computer and microprocessor technology can be applied to manipulate it This results in both greatly reduced cost and greatly increased flexibility and power in how you can control and manipulate the images
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PROCESSES
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The processes of creating most digital content are divided into logical steps: development, pre-production, production, postproduction, and distribution Digital technology is usually there at each step along the way DEVELOPMENT Definitions may vary somewhat, but the development process is the point at which the project is defined in terms of purpose, talent, budget, and script This is the relatively low-tech part of the overall process Not all projects involve scripts, but most projects involve some kind of written treatments and/or documentation before anything else gets done Specialized wordprocessing programs are designed to facilitate writing scripts in a variety of formats, if needed PREPRODUCTION Once the basic concept of the production is created using word processing software, spreadsheets, and other generic or specialized writing or business tools, the preproduction process begins The script or concept may be broken down shot-by-shot to determine all the requirements to complete it Sets, actors, gear, all have to be factored in Shooting schedules and budgets are worked out, frequently employing specialized software packages to expedite the process and conform it to required standards
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CHAPTER FIVE
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Similarly, production design, visual effects, sets, and locations all are designed and tested using all kinds of specialized and general-purpose computer software; 2D and 3D graphics, compositing, image editing, and art and design software can all be used to advantage The degree of computer imagery and visual effects in a production varies from zero to 100 percent in today s world Most productions, however, still use cameras and live talent for the majority of what they do For the purpose of this chapter, we will concentrate on productions that are primarily based on camera-generated images PRODUCTION Production is the shooting phase Until digital technology became pervasive in the media world, most high-end production was done with film cameras Most video production was done with vacuum tube based cameras Now there is a much wider range of choices In today s world, it is possible to convert film images to high-resolution digital video, and vice-versa, in a number of different ways, and the processes are getting better all the time Feature films can be shot on a variety of digital tape formats and converted to film for distribution Television projects are regularly shot on film and converted to digital video for postproduction and distribution Parts of visual effects for feature film projects are shot on film, converted and combined with computer-generated effects and/or animation in the digital domain, and the results are recorded back to film The processes are changing all the time, with more digital production, effects, postproduction, and distribution in the future This being said, this greater technological flexibility means that tools can be chosen for creative reasons If you like the way something looks, and it s right for what you are doing, there is likely to be a technological way to get it into the mix All you have to do is look at some the music videos being produced to see that images from video cameras, Super 8 film cameras, 16 mm, and 35 mm film cameras, as well as various computer-generated images can be combined with tremendous flexibility There are many more subtle examples in feature films The more content
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