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The year 1974 saw the birth of the Association of Computing Machinery (ACM) s Special Interest Group on Computer Graphics (SIGGRAPH), which went on to play an instrumental role in providing support for this new science SIGGRAPH also organized conferences and provided a valuable information-sharing environment Today the annual SIGGRAPH conference and exhibition is CGI s most important event and a reference point for the technology s progress
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TELEVISION
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The elaborate graphics and moving text one sees on TV and cable shows these days is a relatively recent CGI development Less than 25 years ago, TV graphics consisted of hand-made art cards, which would typically be set on an easel and shot by a studio camera News graphics such as local, regional, and national maps were created as base images that could be altered with clear plastic overlays for repeated use Art departments at television stations (and elsewhere) used rub-on text, cut paper, photos, and illustrations to add a level of professionalism to their broadcasts These methods were crude by today s standards, time-consuming to create, and not very forgiving if rapid changes were required Computers that could generate text onscreen began taking over from TV-station art cards in the late 1970s with the invention of the Chyron Then, in 1983 a British company known as Quantel introduced a graphics system specifically for generating graphics for television It didn t take long for Quantel s Paintbox to became the standard by which all other 2D-computer graphics systems were judged Type setting, airbrushes, paint tools, drop shadows, beveled edges, matte tools, the ability to create masks, animation features, and electronic storage to save the fruits of all these CGI labor were all part of Paintbox, not to mention a graphical interface that was designed to be user friendly to artists Working at video resolution (72 dpi, or dots per inch) the original Paintbox not only had the ability to create still imagery, it could grab frames from video, layoff (record) animations cre-
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CGI AND DIGITAL CONTENT CREATION
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ated in the system to videotape, and capture anything put under a video camera Not only was the Paintbox capable, it was as fast as the user could work This revolutionized the way in which television graphics were generated, and that had a huge impact on how news graphics and graphic animations were created The Paintbox became the main graphics computer program for television production all over the world Production facilities used it to generate other forms of content, as well, including corporate projects, trade show animations, and interactive touch-screen kiosks Then in the mid 1980s a company called Abekas was formed based on technology developed ten years earlier by Ampex, the company that invented the first practical videotape recorder( in 1956) Ampex had developed the ESS1, which was the first digital recording device that could write to multiple computer disks simultaneously Abekas was founded by the people who developed this technology; they called their new device an A62 digital disk recorder The A62 digital disk recorder revolutionized the layering of video; it used RAM chips and computer disk drives to store videographics digitally prior to their output to tape Layering became much easier, and graphics designers were given new creative latitude More complex CGI to create photorealistic 3D objects, meanwhile, required computers more powerful than the IBM PC-style engine of the original Paintbox But Moore s Law was ever-present, providing ever-improved processing power for comparably less cost In the past ten years the computers necessary to create all forms of CGI have evolved from large mainframes, to large workstations, to custom-built PC/ATs, to off-the-shelf (but increasingly powerful) Macintosh and Windows computers optimized for video The high end of CGI technology is still a place where millions of dollars are easily spent, and although high-end capabilities invariably gravitate down toward affordable systems, the high end is continually developing its own special capabilities Computers based on UNIX operating systems, such as those manufactured by SGI and Sun Microsystems, tend to dominate here Nevertheless, Moore s Law continues to rule, and ever faster and more powerful microprocessors, ever greater storage-system capacities,
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