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will be able to preview the effect of the manual settings in the LCD If not, simply shoot a test shot and then review it to see how close your settings come to the effect you want The following list provides manual setting guidelines that work for a range of typical situations These guidelines will give you a good starting point You can then fine-tune the settings to meet specific requirements s To stop motion Set the camera to the highest shutter speed that will give you a correct exposure at or near the widest possible aperture (smallest f-stop number) s To blur motion Set your camera at a fairly slow shutter speed, but not too much slower than 1/60 s To blur the foreground and background Use the widest aperture and then raise your shutter speed to compensate s To maximize the overall sharpness of the image from as close to the camera as possible to as far from the camera as possible Use the smallest f-stop (largest number) to narrow the aperture as much as possible Most digital cameras will not step down their apertures to an opening smaller than f-11 You can keep the exposure level constant by reducing the f-stop by one setting each time you increase the shutter speed by one setting and vice versa This counterbalancing of aperture and shutter speed settings allows you to choose between controlling depth-of-field (aperture) or stop action or blurred motion (shutter speed) while maintaining a balanced exposure The following table shows settings that cameras typically use for shutter speed (top row) and f-stop settings (bottom row) The settings are often slightly more or less than a full setting (called an exposure value or EV) because of the mechanics traditionally used in the manufacture of 35mm cameras
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Shutter speed (in seconds) f-stop (aperture) 1/4 f-15 1/8 f-20 1/15 f-28 1/30 f-35 1/60 f-56 1/125 f-8 1/250 f-11 1/500 f-16 1/1000 f-22
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A nice thing about digital cameras is that they let you see the effects of changing the setup in your LCD preview The LCD preview will show the changes in exposure so you can easily see the optimal settings in advance Using film is much trickier and requires a lot of experience to get it right (plus, it s not immediate) If the subject doesn t move or can be posed, even expert film photographers will take a range of exposures (called bracketing) to make sure they get the shot that s most favorable to the subject Remember, however, that sometimes the wrong exposure is the happiest of accidents Digital cameras eliminate a lot of the guesswork, but you can still take all the credit for the perfect exposure
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The aperture controls the amount of light that comes through the lens at any given instant Within the lens of the camera is a diaphragm called an iris that opens and closes according to automatic or manual settings It is named after (and is much like) the iris in your eye The size of the iris s opening is referred to as the aperture Changing the aperture settings adjusts the size of the opening and thus the amount of light the lens passes through to the image sensor
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When you lock in the aperture setting as a priority, the camera is forced to adjust the shutter speed relative to the aperture setting This is called aperture-priority mode This is different than fully automatic mode, in which the camera determines both the aperture and shutter speed for you
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