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good idea Any movement in the camera will make the sequence jumpy if you later want to use it in an animation Half press the shutter release button to lock in focus and exposure When you are ready to shoot the sequence, press the shutter release all the way down and hold it until the burst is complete
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3 At the end of the burst, the warning light near your viewfinder will start
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flashing as the camera offloads the sequence to your memory card When the flashing stops, you can jog through the images in preview mode If you don t like what you see, erase those images and try again
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19 Use Time-Lapse Mode
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Most of us have seen time-lapse photography in all those wonderful nature films that show a flower opening up or a butterfly emerging from a cocoon These are motion sequences shot over a long period of time and then shown in rapid
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CHAPTER 3: Understanding Shooting Modes
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succession to give the illusion that the transformation is happening in real time Time-lapse mode is the opposite of burst mode Time-lapse compresses slow motion into a smaller window of time, whereas burst mode captures microseconds of very fast motion as a series of stills
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Time-lapse photography can give you a clearer look at things that move slowly when contrasted with the hyperactivity that usually surrounds us If you want to demonstrate how something changes over an extended period of time, this is a mode you ll appreciate Figure 3-8 shows an example You don t need a time-lapse mode on your camera to capture action over extended periods of time Richard Misrach, a photographer in Berkeley, California, made an astonishing series of photographs by shooting a picture once a week of the view from his second-story deck in the hills overlooking San Francisco Bay (Richard Misrach: Golden Gate Arena Editions, 2001)
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How Do I Use Time-Lapse Mode to Create a Sequence of Shots Over Time
Many cameras have built-in technology that helps greatly with producing time-lapse sequences The computer in the camera is used to set a fixed time interval between shots The feature is similar to the self-timer, except it keeps repeating shots The camera will shoot automatically according to how you set it or until it runs out of storage or batteries Once again, you will need to use a tripod to steady the camera while the sequence is being shot
FIGURE 3-8
Time-lapse photography closely connects events that happen over an extended period of time
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Because the time interval for the total sequence can be extensive, you need to pay attention to the environmental conditions The lighting, weather, or position of the subject may change over time You will need to take that into consideration and apply the controls as needed to maintain a consistent environment over the length of the shoot which can be minutes, hours, days, or longer You may need special lighting or protection from wind, for example How you handle this depends on how ambitious you are Most of all, you will need patience Time-lapse photography is challenging, but it s also rewarding, and the photographs you take will certainly get compliments Many digital cameras ship with, or can be used with, an AC adapter If your time-lapse sequence will take place over more than 24 hours, you d best plug in your camera with an AC adapter so that you don t run out of battery power If you re out in the wilderness, you can use an external battery pack These typically sell for around $50 and last about four times longer than the camera s internal batteries
20 Use Video and Audio Modes
In these modes, the camera acts as a video camera or voice recorder for short periods of time Some cameras have only video capabilities For audio, the camera must be equipped with a microphone The video and audio are typically about half the quality of movies shot on an old-fashioned, low-tech camcorder However, it is rare that you can shoot sequences that last more than a minute The best use for these video-ettes is for Web or e-mail animation, or you can insert them into presentation programs, such as Microsoft PowerPoint Shooting digital video is much like shooting in burst mode, except video mode uses much lower resolution images so that it can shoot at a much higher frame rate than burst mode Standard video will shoot at 30 frames per second to be able to fool the eye into seeing a continuous motion without any perception of individual frames Digital still-camera videos, on the other hand, typically record at 10 to 15 frames per second However, at the small maximum size in which they re usually filmed, the motion in digital format seems reasonably smooth and natural Most cameras record to one or more of the following file formats: MPEG (Motion Picture Experts Group), AVI (the Windows movie standard), or MOV (QuickTime) (See 7 for more on moving pictures) All these formats have
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