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If your camera doesn t have a fill flash setting, you can tape a layer or two of Kleenex or use a neutral-density filter over the flash so that the actual brightness of the flash will be a stop or two lower than the camera calculates The Kleenex trick has the added advantage of diffusing the light from the fill flash and is a good idea for indoor candid photos If you use it indoors, you ll need to compensate for slight underexposure when you process the image in your image editor, which you can do with an auto-correct command in a single button-click
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CHAPTER 5: Lighting Techniques
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Off Press the flash mode button until the manual off symbol appears in the control panel In this mode, the flash is prevented from firing This is good for situations in which you don t want a flash even in low light because: s You d rather risk a little blur or ISO-boost noise than lose the atmosphere provided by available light s You want to reduce shutter lag s Battery power is low s Flashes are prohibited Sometimes shooting with natural light is the only way to go, even if it s a low light situation If you want to convey a cozy mood like the one shown in Figure 5-3, for example, you wouldn t want the flash to brighten up the picture too much
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FIGURE 5-3
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Natural lighting is often the best way to capture the subtleties of mood
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30 Use an External Flash
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It s a good idea to use an external flash in addition to or instead of your built-in flash The external flash can be connected to your camera via a hot shoe, a sync cord, or a slave unit (an electronic sensor that fires the flash it s attatched to when it sees the flash from another unit or receives a radio signal) It can attach to the camera with a mounting bracket, or it can be handheld or mounted on a separate stand If you don t have experience with using external flashes, start with an inexpensive one that features automatic exposure calculation and a built-in slave unit Sunpak and Vivitar (among others) make units that sell for less than $100 The advantages of the built-in slave control is that you don t need cords, so you don t have to worry about the sync cord pulling the flash or the camera to the pavement if a passerby happens to bump into it
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Why Do I Need to Use an External Flash
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An external flash is superior to a built-in flash in every way except cost and portability The external flash s Makes it possible to bounce light, scattering it so that it can illuminate a much larger area evenly and greatly soften the edges of shadows s Illuminates a much larger area, which will extend the depth of your shot s Eliminates red eye because it doesn t fire directly into the subject s pupils (See Tip 33, later in this chapter) s Makes it possible to use multiple external flashes so that you can light several areas of the photo (for example, background and foreground) at once This is almost imperative if you have to shoot crowds, events, or interiors
How Do I Set Up and Use an External Flash
Attach the external flash to your camera via the sync cord or the hot shoe, depending on what s available with your camera Some flash units have a mounting bracket that attaches to the mounting screw on the bottom of the camera If you re using a flash with a built-in meter, the flash will calculate its own exposure, even if you bounce or diffuse it If you use a significantly more expensive unit that receives instructions from your camera, the flash exposure setting will be set through the camera s built-in meter, which can be even more accurate
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