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Painting European Article Number 13 in Software Place the camera on a tripod With the camera in autofocus mode, lock in

1 Place the camera on a tripod With the camera in autofocus mode, lock in
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your focus and meter, compose it, and take the picture
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2 Without changing modes, proceed to take several more pictures while
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using the jog control to adjust the exposure value (EV) to 5, 1, +5, and +1
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3 Preview the shots as you take them and discard those that don t work 4 Keep adjusting the EV as necessary to get a good exposure
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Many digital cameras have a function called auto-bracketing, which will automatically take two extra pictures of both a higher and lower EV value in addition to the original shot You can set this mode from the LCD menu Use a slow sync flash to balance the exposure of background and foreground in night shots (see 5) If you bracket night shots with the camera on a tripod, you will be able to use parts of all three exposures when you are working in an image editor that supports layers, such as Photoshop Elements, Paint Shop Pro, or PictureIt!
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CHAPTER 6: Overcoming Difficult Situations
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39 Steady Handheld Shots in Dim Light
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Handheld shots refer to shots taken while holding your camera in your hands instead of mounting it on a tripod or other device You are the support for the camera while the shot is being taken
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Why Is It Important to Keep It Steady
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Unless you like blurry photographs, keeping the camera steady is essential to clear, sharp images This is especially true in low light conditions when you are working with slower shutter speeds Most photographers cannot hold a camera completely motionless This is not a problem as long as the shutter speeds are above 1/60 of a second If you are steady as a rock, you might be able to shoot down to 1/30, but at that speed the slightest breeze or nervous jitter will cause the camera to move and blur the image As mentioned earlier, blurring shots can create exciting and provocative photographs, but sometimes blurring just looks bad, as the shot in Figure 6-5 demonstrates
FIGURE 6-5
Bracing the camera on the shoulder of the person nearby might have saved this shot
Digital Photography: 99 Easy Tips to Make You Look Like a Pro!
How Do I Take a Good Handheld Shot in Dim Light
You will often find yourself in situations in which the light levels fall and you don t have your tripod on hand The first order is to set the shutter speed as high as you can by using aperture-priority mode; set it to fully open If you are still in the danger zone, try looking for something you can use to brace the camera against like a tree limb, fence post, or even your car Any solid object will do Rest the camera on the object and set up your shot With some type of support, you can adjust your camera s shutter and aperture to take the best shot I have even used the back of a companion when I had to! Bean bags (any fabric sack filled with styrofoam pellets) will let you level the camera when bracing it on a slanted or irregularly shaped support, such as a banister or car hood If you are absolutely in a pinch and can t find anything to assist you, try using this stance to get as steady as you can: Kneel down with one knee on the ground and place the elbow of the arm holding the camera on the raised knee as support This gives you a direct line of support to the ground and takes the weight off the arm It isn t too comfortable, but it works Or, if you want to add an unusual point of view (or if your subject is a child or pet), lie down in the prone rifle position that is used by so many sharpshooters to steady their aim
7
Things You Don t Do with Your Film Camera
Digital Photography: 99 Easy Tips to Make You Look Like a Pro!
he invention of digital technology has opened the door to new functionality never imagined in the days of conventional photography Today s digital cameras can perform a wide range of tasks giving you a creative freedom that is really quite astounding All packed in this marvelous little box of electronics is the ability to take 360-degree panoramic shots, create animation, and even shoot video clips, in addition to the traditional single-shot function This chapter takes a closer look at this bag of tricks
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