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Layers are a function of the Layers Palette You can use layers to stack a number of images or pieces of images within a single document and work each layer individually Imagine a number of horizontal panes of glass that are stacked with a little space in between, so you can slip in image transparencies to rest on the surface of each layer You can place images on the pane at the bottom, and then work your way up by stacking other images on other layers above Some layers may include portions of images, so if you look down on the stack, you can see the stacked images below, where partial images let lower layers show through, forming a composite image Digital layering is a complex process by which layers can change their transparencies and blend with other layers below in many ways The components represent all the pieces of a composite image that fit together to make the final image you see in the image window text, gradients, textures, shapes, images or pieces of images, hand-drawn art, scans, special effects, or layer styles You typically separate components into individual layers in an image
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An easy way to understand the idea of components is to stack two or three slides or negatives (make sure they are not too dark) on a light box or in a slide viewer The image you will see is a combination of all the stacked images a composite of the components, which are the images on the individual pieces of film
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CHAPTER 11: Creating a New Reality with Composites
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Layers keep components separate, and stacking keeps them in order, from background on the lowest layer to foreground on the uppermost layer When creating a composite, you are blending images from different sources It is important that you carefully position, resize, and apply effects to blend the components into a unified composition Stacking each component on a separate layer gives you maximum control over each part of the composite If you are making a layer partially transparent, applying a blend mode, or erasing parts of an image, the effect of these operations allows the lower layer(s) to show through in some way You can reposition layers to see how this affects the composite image Consider layers the ultimate light box If you adjust a layer to 50% opacity, it becomes like a sheet of tracing paper, showing the lower image while still showing the components on the active layer This can serve as a handy reference for positioning and sizing
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To get familiar with using composites, you can stack a number of photographs that include elements you want to combine on layers in a single document Don t worry about which images you choose, as this exercise is meant only to get your feet wet Place the image you want to use as a background on the first layer The image components that you will cut from lower layers will be placed in the upper layers If you don t like something you ve done, remember that you can always move the layers around, partially erase them, change their transparency, and change the way their colors interact with layers below them Cut out the image components from the background layers so you have a number of layers with image components on transparent backgrounds An image component could be a picture of anything a head, a flower, or a body of water, for example The challenge is finding pieces that go together well and then figuring out how to merge them to make the image look like a single shot That can take a little practice Figure 11-1 shows an interesting effect created by merging two images to create a composite
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FIGURE 11-1
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