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Import a Photoshop File into Premiere Pro
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This section assumes that you have already created a layered Photoshop file Depending on how you re set up to work in Premiere Pro affects how you go about importing the file If you re working with Premiere Pro as part of the complete Adobe Creative Suite 2 or 3, you ll probably want to use the Adobe Bridge application Adobe Bridge is a sort of digital holding tank and resource reservoir for all types of image and motion files You can use it to sort images, movies, and other assets (like PDFs), order them, get info, and finally import them into and share them throughout the Creative Suite of applications It has extensive search tools as well, so if you can t remember where you left your files, a quick search and drill down of your system through Bridge s search functions will most probably find the asset If you re running Premiere Pro as a stand-alone application, you can locate your assets the old-fashioned way That is, from within Premiere Pro, select File | Import and then navigate to your file Whichever method you use, the result is the same: you ll find your Photoshop file and select it for import When you do choose the Import File, the Import Layered File dialog box appears, shown in Figure 9-15 In the Import As drop-down list box, you need to choose in what format you would like to import the file Since we re importing a layered file, one that we plan to animate, choose Sequence Select Footage for single-layer files, stills, or untouched video
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FIGURE 9-15
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Choose the Sequence import option
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CHAPTER 9:
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Power Editing Basics: Using Adobe Premiere Pro
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FIGURE 9-16
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Imported sequence in Premiere Pro
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After the layered Photoshop file is imported into Premiere Pro, you ll find it in your Project panel, not as a single file but as a folder Inside the folder you will find every layer as a separate file (see Figure 9-16), and one extra Sequence file Double-click the Sequence file A new sequence opens in the Timeline, with each of the constituent layers as separate simultaneous tracks Switch your Source panel to the back by selecting the Effect Controls panel In the Timeline, you should see all layers as clips You should see your file in the Program panel on the right, with the effects that govern that clip displayed in the Effect Controls panel
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Work with Motion and Opacity
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Now we can pay attention to two resident effects that we ignored in the previous section You may have noticed the Motion and Opacity controls in the Effect Controls panel Now we get to use them Take a glance at Figure 9-17 The top track has the text overlay and the bottom track has our base image 1 Select the text track (refer to the example in Figure 9-17) 2 In the Effect Controls panel, select and open the Motion effect When you select the Motion effect, note the transform anchor points that surround the layer, visible in the Program panel on the right 3 In the Timeline, move the playhead all the way to the left 4 In the Program panel, drag your text off the visible area all the way to the left
FIGURE 9-17
Our imported sequence in the Timeline
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FIGURE 9-18
Toggle keyframes
5 In the Position control, toggle the small icon to the left of the word Position This assigns a keyframe to the layer When you toggle the small Position button on, you also see a keyframe icon on the right, as shown in Figure 9-18 6 In the Timeline, move the playhead to midway through the clip 7 Make sure to select the Motion effect in the Effect Controls panel, and then do one of three things:
In the Program panel, drag the text to the preferred position in the frame Position your cursor over the numeric controls in the Effect Controls panel and scrub
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