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How to Do Everything with Online Video
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Choose Open in Editor to make edits to your title
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Add Titles Within Final Cut Express HD
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We ve created our titles in LiveType 2 and integrated them into the live sequence in Final Cut Express HD But when it comes to credits, you don t need to be so elaborate You can use Final Cut Express HD s built-in tools for titling and credits, meaning you won t have to open any other applications The trick with using titles within Final Cut Express HD is that we superimpose them rather than give them their own clips We ll do these titles as final credits, but as you go through the drop-down menus, take note of the other choices Here s the process: 1 Select the clip over which you d like to place the credits 2 If the clip is too long, you may want to use the Razor Blade tool to slice it and make the final clip just long enough to have your credits roll over them 3 Place the playhead in the Timeline at the In point of the final clip 4 In the Viewer, locate the small button in the lower right that looks like a piece of film with a letter A in frame Hold down that button and select Text | Scrolling Text (see Figure 10-15) 5 Click the Controls tab in the Viewer 6 In the Text area, type your credits Choose a center alignment for the text A little trick here is to put an asterisk after your title and then type the name So, for instance, if you want to say Producer*Andrew Shalat, that asterisk will ensure the spacing on the output Press return and continue typing all the credits you need 7 When you have all your credits typed in, make whatever stylistic alterations you want Then click the Video tab 8 Drag the text clip to the Canvas and select Superimpose (see Figure 10-16)
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CHAPTER 10:
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Power Editing Basics: Using Final Cut Express HD
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Scrolling Text for credits
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Superimpose the scrolling credits
How to Do Everything with Online Video
The Timeline now has your credits on the V2 track, just above the final clip Final Cut Express HD automatically times the superimposed text clip to match the clip in the sequence above which it sits That s why we shortened the final clip earlier Now review your video The final touch before exporting the video for the Web is working with sound
Add Audio
There are two distinct ways of working with audio in Final Cut Express HD The first is within Final Cut Express HD itself, and the second is to work outside of it with the bundled software application called Soundtrack
Add Audio Within Final Cut Express HD
From within Final Cut Express HD, audio is pretty straightforward The audio tracks work much the same as the video tracks If a video clip was captured with audio included, the audio will appear on the corresponding audio tracks located just below the video tracks in the Timeline, as shown in Figure 10-17 The most important thing you must be aware of here are the audio meters Few things can ruin a good video more than bad or distorted audio In the following chapter, I ll give you a set of basic guidelines for audio adjustments before you output your final video Next to the editing palette, on the right side of the Timeline, are the audio meters Keeping an eye on these meters is always a good idea Make sure that your levels never light the little red bulbs at the very top If you see one of the red lights light up, then your output sound will be distorted And you don t want that
FIGURE 10-17
Audio tracks
CHAPTER 10:
Power Editing Basics: Using Final Cut Express HD
FIGURE 10-18
Wave form
Audio tracks can be worked on visually (You can shut audio off by using the small audio button on the left side of the audio tracks) Sometimes it s best to work with audio tracks in what s known as wave form (see Figure 10-18) Wave form shows the volume of the audio graphically The loud parts look bulbous, while the quiet parts are thin To see your audio in wave form, press option-z-w With some practice, you ll be able to see at a glance whether a wave form is a human talking, a piece of music, a sound effect, or ambient noise The trick is to be able to recognize that in speech, there are lots of peaks and valleys, and equal flat parts The peaks, or thick parts, are syllables, and the flats are the spaces between words Music is continuous, with few thin flat parts Valleys are opposite of peaks Editing your audio is something to be taken seriously It s not the easiest thing in the world, and until you re comfortable with it, you might want to stick with adjusting the levels But if you are forced to make edits, remember to make your cuts at the thin points of the wave form, and not at the thick ones As you improve, you ll be better at overlaying thick parts and using audio transitions to smooth things out See 12 for some more technical guidelines on audio Final Cut Express HD lets you directly import any audio format compatible with QuickTime Most likely you ll be dealing with MP3 or AAC files If you are intent on editing the imported audio, however, you ll only be able to do so with uncompressed file formats such as AIFF and WAVE Double-click your audio clip and you can attempt your edits in the Viewer Using the Pen tool, you can assign keyframes, or points at which you can make changes in the levels of specific parts of your audio clip You can also adjust the level wholesale, using the levels tools in the stereo panel
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