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artifacts than with interleaved video Progressive video is commonly displayed at 60 Hz, twice the normal rate, so frames are repeated in a 2 3 sequence, which means that the smoothing effect of interlaced fields is lost However, the increase in resolution more than makes up for it Advanced progressive players and DVD computers can get around the problem by displaying at multiples of 24 Hz, such as 72 and 96 Hz, etc A progressive player also has to deal with problems such as video that does not have clean cadence (such as when it is edited after being converted to interlaced video, when bad fields are removed during encoding, or when the video is sped up or slowed down to match the audio track) Figure 325 shows how film frames cross video frames (frames B and D) If the video is cut on any of these frames, the frame coherency is lost, and the deinterlacer no longer has a clean sequence of paired fields to weave back together The MPEG encoder is also affected because it becomes harder to do inverse telecine Another problem is that many DVDs are encoded with incorrect MPEG2 flags, so a reinterleaver that uses these flags has to recognize and deal with pathological cases In some instances it is practically impossible to determine if a sequence is 30-frame interlaced video or 30-frame progressive video A related problem is that many TVs with progressive input do not allow the aspect ratio to be changed When a nonanamorphic signal is sent to these TVs, they stretch it horizontally instead of properly windowboxing or proportionally enlarging it Just as early DVD computers did a poor job of progressive-scan display of DVDs, the first generation of progressive consumer players also were a bit disappointing As techniques improve, however, as DVD producers become more aware of the steps they must take to ensure that their content looks good on progressive displays, and as more progressive displays appear in homes, the experience will undoubtedly improve, bringing home theaters closer to real theaters
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This chapter deals with the family, fundamental formats, and features of DVD technology, with a focus on DVD-Video It also explores, explains, and explodes some of the myths and misconceptions that have grown up around DVD
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The DVD family started off as promisingly as the Brady Bunch Mr Laserdisc and Mrs CD-ROM produced rotund twins that everyone loved: DVD-ROM and DVD-Video Little brother DVD-R came next and got along well enough despite a case of split personality when he was 2 years old Like the sibling squabbles of the Bradys, however, rivalries and frictions soon popped up DVD-RAM followed DVD-R but refused to play with the others DVD-Audio, after an interminable gestation, was so different from DVDVideo that at first the two could not play together Cousin DVD+RW was ostracized by the rest of the family, even though she tried hard to fit in And the young triplets, DVD-Video Recording, DVD-Audio Recording, and DVDStream Recording, were odd enough that it would take the rest of the family a while to be able to handle them The happy ending, where differences are resolved and everyone gets along again, which always came at the end of every Brady Bunch episode, is much longer in coming for the DVD family Figure 41 shows the overall relationships between the various members of the DVD family DVD-ROM is the base format that underlies everything The writable formats are all variations of DVD-ROM, each with its particular good and bad points DVD-R can record data once, whereas DVD-RAM, DVD-RW, and DVD+RW can be rewritten thousands of times When first released, DVD-R and DVD-RAM were available for computers only, but by 2001 all recordable formats also were being used in home video recorders DVD-R, based on organic dye media similar to CD-R, is generally compatible with other DVD drives and players The related DVD-RW format, based on phase-change technology similar to CD-RW, is also generally compatible with other drives and players Just as with CD-R, problems reading DVD-R and DVD-RW will soon disappear and be forgotten On the other hand, DVDRAM, a concoction of magneto-optical and phase-change technologies, was not compatible with anything when it was released It took more than a year before DVD-ROM drives that could read DVD-RAM discs were released It
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