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Know When to Break the Rules
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Now that I ve spent the last few pages telling you what the rules of composition actually are, we can talk a little about how to ignore them Don t get me wrong I love the rules of composition and I think you should follow them After you become comfortable with concepts like the rule of thirds and filling the frame with the focal point, however, you ll find that you can take even better pictures by bending or breaking those same rules This is an area of photography that is best experimented with and learned on your own, but here are a few pointers to help you get started:
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I Change your perspective Technically, we re not breaking any rules of composition
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here, but this is something that few people think about, yet it can have a profound impact on the quality of your photos Simply put, experiment with different ways to see the same scene Try taking your picture by holding the camera horizontally, and then see how you might frame the picture by turning the camera vertically Take a look at the picture in Figure 3-10 I originally took this picture as you see it on the left Afterwards, I found that I liked the picture better when I cropped it for a horizontal orientation As it turns out, most people prefer the original framing, but that s okay: experiment and don t be afraid to try something even if no one else thinks it s a good idea Get low to the ground or stand up on a chair or table to get a higher perspective on the same scene You have a lot of options: try them
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I Ignore symmetry Sure, symmetry is great, but just as often as symmetry works well
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in a photograph, I have found you can get an even better image if you intentionally skew the photo to strip out the symmetry When the viewer expects symmetry and doesn t get
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CHAPTER 3: Composition Essentials
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FIGURE 3-10
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Experiment with taking your pictures from many different angles, orientations, and perspectives After all, you re not paying for the film anymore!
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it, you have introduced tension and drama into an image And that s not bad, especially if all you ve done is photograph some road, train track, or river
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I Surprise the viewer If you ve seen one landscape, you ve seen them all That s not
really true, but it can sometimes seem that way Go for the unusual by framing your picture in a totally unexpected way One of my favorite tricks is shooting landscapes through the side view mirror of a car you can see it in Figure 3-11
I Use several focal points While most pictures rely on just one or two focal points,
sometimes you need even more, especially when you re shooting a picture like a family portrait If you re taking a picture with several people in it, you can often overcome a cluttered look by arranging the subjects into a geometric pattern If the subjects heads form a triangle shape, for instance, you have introduced order into the photo despite the fact that there are a lot of people in it
How to Do Everything with Your Digital Camera
FIGURE 3-11
Successful pictures are often a matter of surprising the viewer
Using Depth of Field
The last important frontier that you need to understand for proper composition is called depth of field Depth of field refers to the region of proper focus that is available to you in any photographic image When you focus your camera, you don t get a paper-thin region of proper focus in an image; instead, there s some distance in front and behind your subject that will also be in focus This entire region of sharp focus is called the depth of field, or sometimes the depth of focus What determines depth of field Three factors contribute to the depth of field that is available to you for any picture you plan to take Let s look at these factors one at a time, and then combine them
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