qr code scanner for java free download 2: Customizing Photoshop for Print Design in Objective-C

Making Quick Response Code in Objective-C 2: Customizing Photoshop for Print Design

2: Customizing Photoshop for Print Design
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Use Grayscale and Bitmap Modes for Black and White Images
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If you are working with black and white photography, using 1-Color printing, or designing for a publication such as newsprint, you will want to take advantage of both the grayscale and bitmap modes If you are scanning original artwork into Photoshop, your scanner software should ask you what mode you would like to scan in If you select grayscale, then Photoshop will automatically open the file in grayscale mode If you select Line Art when scanning an image such as a logo, Photoshop will automatically open the image in bitmap file mode You can also convert any color files you have to grayscale mode and then convert grayscale images to bitmapped images, and vice versa If you are preparing your image for newsprint, make sure you talk with the printer or the person that will be taking your files through prepress Sometimes a grayscale image must be prepared with a specific halftone screen Halftone screens consist of dots that control how much ink is deposited at a specific location on-press Varying their size and density creates the illusion of variations of gray Before creating your halftone screens, check with your print shop for preferred frequency, angle, and dot settings You cannot directly convert a color image to a bitmapped image It must first be converted to a grayscale image, and then to a bitmap image You should definitely exercise caution when converting your images to bitmaps I cannot overemphasize how important it QUICK TIP is to know what prepress specifications the publication you are designing for requests Use Photoshop s default settings for halftone Each publication is different make sure screens unless your print shop specifies changes they provide you with all the necessary Refer to 12 for more tips on outputting file preparation information If it is not print graphics provided, ask!
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Even if you are not using the bitmap mode feature for printing reasons, you can experiment with bitmap mode to create interesting effects These are discussed in 9
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To convert a color file to grayscale, choose Image | Mode and select Grayscale in the flyout menu Click OK when the dialog box automatically asks Discard Color Information To convert a grayscale image to a halftone bitmap, choose Image | Mode and select Bitmap in the flyout menu In the dialog box, type in your requested output resolution (Unless otherwise specified by printer or publication, I recommend an output resolution of 300 dpi or higher) Choose Halftone in the Method option box and click OK The Halftone dialog box automatically pops up, requesting frequency, angle, and pattern unless otherwise specified by printer or publication, I recommend staying with the default settings, including Round for the pattern
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To convert a grayscale image to a diffusion-dither bitmap, choose Image | Mode and select Bitmap in the flyout menu In the dialog box, type in your requested output resolution (Unless otherwise specified by printer or publication, I recommend an output resolution of 300 dpi or higher) Choose Diffusion Dither in the Method option box and click OK To compare halftones and diffusion-dither bitmaps, compare the following two illustrations the one at left is a close-up of a halftone bitmap, whereas the one on the right is a diffusion-dither bitmap
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Set Up Your Swatches Palettes to Be Job-Specific
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It seems that every time you turn around, your computer is no longer the newest, your operating system was just upgraded, and there s a new version of Photoshop Technology has a wonderful way of keeping us on our toes We have no choice but to keep learning I admit, sometimes this can be a bit overwhelming, but usually it s a good thing, and zippier technology equips us with tools that allow us to create better designs Another constantly changing story in the print business is the introduction of increasingly innovative color palettes Not too long ago, we were excited by the metallic Swatch book that Pantone produced At the beginning of this chapter, Figure 2-1 displayed the 24 color libraries to choose from when picking swatches in Photoshop only eight of those are Pantone libraries So let s talk about Photoshop and your swatches Obviously, all 24 of these libraries will not be utilized at once and certainly not all of them are for print The web color palettes speak for themselves, as they are usually labeled with the word Web The following is a brief description found in Photoshop s Help of the most common inks used in print:
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