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TABLE 1.1 Some RGB Volor Space Parameters
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these colors; rather, it is light that lacks wavelengths between red and blue that reside here. All of the colors humans can perceive fall inside the spectral locus. It is an interesting feature of this chart that given two source colors, all of the colors that can be made by blending those colors in different amounts will fall on the line that connects them. An important extension of this is that the colors that can be made by blending three sources will fall inside the triangle defined by those sources. The vertices of the triangle are regarded as the primaries of that particular color system. This is very useful in predicting the colors that can be made by three different phosphors, as used in video displays. The colors inside the triangle represent the color gamut of the display, the colors that can be generated by the display. The exact primary colors for a given display technology are carefully selected to balance a set of tradeoffs between saturation, hue, and brightness. Some very successful phosphor combinations have been found over the years and are used in various broadcast television and video standards. One successful set comprises the Trinitron phosphors used in a vast number of television and computer displays. It embodies a design choice where the extent of the color gamut is diminished slightly in favor of a significantly brighter image. Because of its ubiquity, it forms the foundation for the sRGB color space, a standard used in PC and world-wide-web graphic design. The spectral locus represents the highest degree of purity possible for a color. As one moves away from this boundary toward the interior, colors become less saturated. In the center area, the colors become nearly neutral tints of gray. A display system, defined by a triangle of primaries, will select a point in the center to be the white-point for the display. It need not be the geometric center of the triangle, and for many systems it can be quite arbitrary, since the visual system will adapt, attempting to make an image look natural. The exact mechanism of adaptation is complex and the subject of current color research, but enough is known that it is now possible to translate images from one display system to another, or to a hardcopy print, and retain the natural appearance. The circle in the RGB space cube representation shown in Fig. 1.7 represent the white-points for the two different display systems charted. A set of primaries and a white-point are enough to define a (linear) color space. These are usually called RGB color spaces because the primaries for most useful systems are distinctly red, green, and blue. A characteristic of these color spaces is that they can be implemented using linear algebra. Converting from one space to another is a matter of applying the correct 3 3 matrix operation. There is one more characteristic of most displays that modifies the color space and destroys its linearity: the gamma.
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1.9 The LED Color Chart
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The LED color chart in Table 1.2 does NOT represent what the LED light carries. This chart is only to be used as a reference for the various types of LEDs being manufactured today, and to show what their basic properties are.
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1.10 The Color Rendering Index (CRI)
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The color rendering index (CRI) is a measure of the quality of light. A measurement of the amount of color shift that objects undergo when lighted by a light source as compared with the color of those same objects when seen under a reference light source of comparable color temperature. LED light CRI values generally range from 60 (average) to 90 (best). High CRI equates to sharper, crisper, more natural-colored pictures, while at the same time reducing glare (Fig. 1.8). A measure of the color of a light source relative to a blackbody at a particular temperature expressed in degrees Kelvin (K). Incandescent lights have a low color temperature (approximately 2800K) and have a red-yellowish tone; daylight has a high color temperature (approximately 6000K) and appears bluish (the most popular fluorescent light, Cool White, is rated at 4100K). Lamps with color temperatures below 5000K tend to be more yellow/red, lamps rated between 5000 and 6000K are viewed as white, while lamps above 6000K tend to have a blue cast.
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