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Adobe Gamma is installed automatically when you install Adobe Photoshop Elements, Photoshop, and certain other Adobe products on Windows-based computers. But the utility isn t immediately obvious because the icon that launches it is tucked away in the Windows Control Panel. To open the Control Panel and run the software, follow these steps:
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1. Click the Windows Start button and then click Settings | Control Panel. The Control Panel window opens. 2. Double-click the Adobe Gamma icon.
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CHAPTER 9: Becoming a Master Printer
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CREATE A COLOR PROFILE WITH ADOBE GAMMA (continued)
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3. In the dialog box that appears, choose Step by Step to launch a wizard that walks you through the calibration process. This option is best if you re new to monitor calibration. But after your first few times through the process, you may want to instead click Control Panel. You then see the dialog box shown in Figure 9.7, which puts all the calibration controls in a single panel. If you need help with any of the controls, click the Wizard button.
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FIGURE 9.7 Use these controls to adjust your monitor so that it provides a neutral canvas for your images.
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At the end of the process, be sure to save the profile. So that you can easily distinguish the profile from other profiles that may be on your system, use a name that tells you something about the profile s purpose for example, something like MyMonitor17 for a 17-inch monitor.
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Fine-Tuning Printer and Monitor Colors
Calibrating your monitor gets you started on the road to improved color matching, but if you want to bring screen and printed colors even closer, follow these tips:
When you choose the Print command, the resulting dialog box should offer a
Properties button that enables you to access the printer s own software. Many printers provide controls for adjusting color balance, brightness, and saturation. Play with these options to fine-tune your printed output, and then record the settings when you find a combination that works well. With some printers, you can save the settings so that you can easily apply them the next time you print.
Colors vary depending on the paper stock. Color-matching tends to be better with
glossy photo stock than with plain paper because the paper itself is brighter and whiter, closer to the canvas that your monitor provides. In addition, you often get better color matching when you use paper made by the same company that made the printer, because the inks and software drivers are specifically tailored to those papers.
If you re working with an inkjet printer, make sure that the print has fully dried
before you judge the color match. Colors look slightly different when the print is still wet. Here s one last secret that will probably get me in trouble with purists in the color-management community: When all else fails, just use Adobe Gamma or some other monitor-adjustment utility to adjust the screen display to what your printer produces. Open the image in your photo editor, launch the calibration utility, and hold the print up next to the monitor. Then just tweak the amount of red, green, and blue in the display, along with brightness, contrast, and other settings, until the on-screen image looks more like the print. You may even be able to accomplish this using controls for your computer s video card. Keep in mind that if you go this route, your image colors will look different if you display the photo on another monitor, print on some other printer, or use a paper that s significantly different from what you used as your color-match guide. You re also introducing a monitor bias, so the screen may no longer show the colors as your camera captured them. As a result, you could wind up making unnecessary or incorrect corrections to your image colors and exposure. But if all you want is an accurate preview of how your print is going to look, this approach seems as logical as any.
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