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It is a very bold assertion to suggest that streaming media might be a better form of information delivery than books. However, there are some significant characteristics of streaming digital media that books cannot match. With streaming media, you can access vast libraries of information from wherever you happen to be, without having to travel to a library or carry the library with you. There is no need for consumers to store the physical media assets or even their catalog of items of interest. These can be streamed to whatever streaming media playback device you happen to have to hand. Streaming media adds graphical animations and vivid moving images to illustrate the points made in a piece of text, for example. Books are unable to provide such animations to explain points made in the body of the book. Video can also aid imagination, creativity, and understanding in ways that books cannot. Streaming media can also be updated and edited much more readily than a printed edition of a book. If errors are discovered in a printed book, errata must be issued, or else a revised edition printed and published. Streaming media can keep works more up to date and current. As with any book, random access to sections within the body of the work is made possible with streaming media technology. However, with electronic indexing and hyperlinks, navigation within an individual streaming presentation is enhanced. Another advantage of streaming media over books allows hiding of detail, in the main flow of the narrative, with links to sidebar information for those requiring deeper treatment of the subject. The ability to navigate and search within a streaming media presentation and across multiple presentations, simultaneously, could be the killer application that streaming media is looking for. In contrast to reading a printed book, you can edit pieces of streaming media (assuming you have digital rights to save copies and abstract sections) into your own version of the presentation, with the narrative paced to your own particular taste and the subject matter categorized according to your own schema. You can even capture sections for your own edit on the fly, as you watch the streaming media piece for the first time. Like a summary or pr cis, your own slant on a piece of streaming media is itself a piece of media worthy of publication; in the same way that literary critique is valued. You may even add a voiceover track to the main presentation, perhaps with a headshot of yourself as you speak, giving responses and insight into the main program flow. Like
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margin notes that one would make in a printed book, links to explanatory detail can be embedded in a piece of streaming media, so that the next person viewing the media can discover more. Indeed, total strangers, merely by adding to the work, can create streaming media presentations collaboratively. In the same way that open-source software is created, so too streaming media treatments of complex subjects can grow organically, with contributions by a large number of authors. One of the more famous experiments into this form of authoring was the www.h2g2.com site set up by the late science fiction author and humorist Douglas Adams, renowned for his Hitchhiker s Guide to the Galaxy series. Like the fictional Encyclopedia Galactica from his books, the site grows into a reference work on practically everything. All the text comes from individual contributions, some of which are undoubtedly dubious and not meant to be taken seriously; others are deeply insightful and lucid. It is a small leap of the imagination to go from collaborative text to collaborative multimedia.
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