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Searching for a piece of streaming media that catches your interest is much faster than channel surfing on a television, because search engines that index on metadata can get to the media you desire more quickly than a random walk through the channels currently broadcasting to your television set. Streaming media receivers can be designed to offer several streaming windows at once or even display pictures in a picture. Many digital television broadcasters are currently experimenting with multi-view presentation, where several camera angles are displayed at once, for interactive sports coverage. Streaming media already lends itself to multiple views at once, bandwidth permitting. It is entirely possible to be watching one piece of streaming media while listening to another. Previewing of longer presentations is another area where streaming media can outpace television or videotape. With streaming media, it is possible either to shuttle through the presentation rapidly (assuming the player software can do this), or to jump from point to point. Content producers may also produce summary capsules of their longer work, like Hollywood trailers for feature films. Sophisticated media publication systems may be developed to publish a series of thumbnails based on scene changes, packaged as a piece of streaming media, automatically. This would then allow any potential viewer to scan the presentation in
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almost a storyboard presentation before deciding to watch the piece in full-motion resolution. Indeed, an automatically generated thumbnail storyboard may be the ideal interface for navigation within the piece of streaming media. Rather than using the fast-forward, play, and rewind paradigm, viewers might actually prefer to point to images within a storyboard in order to seek to some midpoint in the presentation. A storyboard presented as an HTML page could be embedded with every piece of streaming media published as metadata, enabling richer search engine indexes to be created, without the need for the search engine s Web crawler to access every frame of video in the presentation.
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Streaming media, by its very nature, makes programs available on demand via wireline or wireless networks, both fixed and mobile, 24 hours a day, 7 days a week, 365 days a year. Unlike Personal Video Recorders (PVRs), which enable time shifting of broadcast television programs to a time that suits the viewer, time shifting is a fundamental property of on-demand streaming media. For streaming programs scheduled to run at particular times as a multicast program, time shifting is still required, but many streaming media providers who multicast would rather archive the presentation for on-demand viewing at a later time than risk losing potential viewers. Programs which are streamed and never archived for on-demand viewing are likely to be the exception. Even where the provider does not make an on-demand version available, a personal video recorder is relatively simple to emulate with streaming media technology, compared to performing the same feat with digital video broadcasts. This is because the metadata in streaming media can be richer, the video and audio is more highly compressed and so places fewer demands on hard-disk performance, there can be closer dialogs between the program scheduling software that will play the piece at a certain time and the player software that will try to detect it and record it, and digital rights management can circumvent fears about unauthorized rebroadcast of time-shifted content. Humans have a fundamental need to find information to help them when they are under threat. Because streaming media can deliver rapid access to answers wherever you are, whenever you need them, it satisfies our need to be safe. It also satisfies our need to seek feelings of belonging and esteem, because it can be always on. Whenever we need to connect with other humans who will love and value us, we can do so
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