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content can be up to the minute, with an unprecedented range of instantly accessible choice, is available. VHS, DVD, cable TV, satellite TV, and terrestrial TV cannot compete on the same terms.
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Personal data shadows do not exist commercially yet. However, we already have the underlying technologies necessary to realize them. A data shadow, as well as referring to data kept about you on various computers as you engage in transactions with companies or the government, also refers to the ability to access any of the digital data you deem important, from wherever you are, on whatever machine you happen to be using, regardless of which machine the original is on. MPEG-4 technology allows receivers to filter the data from the source according to the display and interaction facilities offered by the receiver, rendering only those data streams that it can. Thus, if my Word document is on my desktop PC and I am using a mobile PDA, I should be able to stream a view of the document onto my PDA directly from my desktop PC. This is an oblique application of streaming media technology, to be sure, but in the future, when Web sites and documents actually become rich multimedia pieces, it will represent a much-needed application. If I am showing a client a PowerPoint slide show, I don t need to have the file with me, I just need to direct the viewer to a stream of the slide show I produced. The key to enabling this application is keeping some sort of online database of my assets, somewhere in my distributed multimedia world, so that I can always locate the original of the asset and either stream or copy it to my current receiver. In this way, every streaming media device I own becomes a piece of my own personal, miniature edgecaching network. Another way of looking at this is that the edge of the public, streaming-media Internet is in my hand or on my desk.
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As compression technology continues to improve, you get better quality pictures and sound for the same bandwidth (or the same quality, for less bandwidth). Bandwidth becomes more abundant and cheaper over time as well. With improvements in both compression and bandwidth technology, you eventually get better pictures and sounds for less cost than any other digital communications system can offer. Evidence of this is
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that there are already moves to incorporate MPEG-4 decompression in DVD players. Audio MP3 players are also widely available today. This means that systems using older compression (or no compression) techniques will, over time, become increasingly uncompetitive, since they will offer poorer end-user experiences at a much higher cost than could be achieved with streaming media technology. It is possible, using today s streaming media technology, to encode HDTV-like video at a bandwidth of 3 megabits per second. Compare this with the raw 270 megabits per second for native HDTV pictures and the savings begin to look significant. Indeed, if you are able to allocate perhaps 30 or even 300 megabits per second to a stream, you could theoretically get super high-resolution video at very high frame rates. It may even be possible to transmit 360-degree panoramas in resolution so high that the user feels he or she is actually standing in the space. Telepresence is made possible by streaming media technology. The other aspect of streaming media technology that is peerless is the flexible way bandwidth can be used and allocated. Low-cost streams, for niche audiences, can be offered using low bandwidths, whereas premium content, commanding a higher price, can use more bandwidth to create an ultimately more compelling end-user experience. Television, and especially digital television, are not as flexible, since their airwave bandwidth allocations saddle them with fixed bandwidth limits. The receivers and the entire television transmission infrastructure have also more or less frozen MPEG-2 compression into the stone of the system. Streaming media technology allows for compression upgrades. The typical digital television system does not.
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