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PREFACE
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This book, my first, was written under fairly difficult circumstances. The project coincided with the birth of my second child and first daughter, high-pressure project deadlines relating to the Aqua streaming media encoder, the building up of a business with only bootstrap finance, a near-death experience and dealing with the negative consequences of the September 11, 2001 atrocity, the U.S. high-tech recession and the Nimda virus. I am particularly pleased to have completed this book during all of that. The book s content may strike the reader accustomed to technical books as somewhat unusual, since there are chapters dealing with the social, political and business issues relating to the technology. The reason for including such peripheral information is that I strongly believe technologists ought to understand their technologies within a human context. If a technology does not serve humanity and improve people s lives, what justification is there for its existence Scientists and engineers must take responsibility for what they thrust upon humanity. I have never agreed with technologists who hide behind the beauty of their creations in order to avoid having to confront the problems their technology creates. I also cringe at business decisions made solely on the basis of technical argument, without some basic understanding of the people the technology is for, what it will do for them and why they might buy it. Only by understanding the context within which a technology will exist can technologists make sound judgments about how to shape their products, fashion the features and create solutions that are relevant to people s real lives. Too many bad applications and products get made because the designers don t take into account the context of their work. Technical books that failed to give the big picture have always tended to bewilder rather than clarify. The old adage of not being able to see the wood for the trees always applied. I have endeavored to set my own
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Copyright 2002 The McGraw-Hill Companies, Inc. Click Here for Terms of Use.
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Preface
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explanations of streaming media technology against a background of the issues surrounding the technology. I hope that my peculiar and particular viewpoint serves to illumine the process of demystification. The book could have been very much longer, since there is a lot of ground to cover in explaining everything about streaming media. Consequently I have, in places, reluctantly resorted to sketches rather than detailed examinations of various aspects of the technology and medium. This is a fast-moving technology, so I expect much of the book to date very rapidly. By concentrating on the underlying principles rather than the specifics of various current solutions, however, I hope that the work will serve the reader for many years to come. MICHAEL TOPIC Ripley, Surrey michael.topic@imag-eng.com
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ACKNOWLEDGMENTS
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I used to read the acknowledgments in other books with a good deal of skepticism, but having now written a book of my own, I have come to appreciate just how essential the efforts of other people are in the process and what a great debt they are owed. I, therefore, offer my humble thanks and appreciation to the following people: Peter Symes for suggesting that I write this book and for making the necessary introductions. I hope my book is half as good as yours. Steve Shepard thanks for the helping hand and encouragement when I was in over my depth on telecommunications protocols and optical networking. Laura Clemons thank you for your insight and for taking the time to write down your thoughts on where the industry was going and where it had been. Your input was not only authoritative, but also inspirational. Nancy Arculin Jandorf I am eternally indebted to you for your critiques of the first drafts, suggestions for added clarity, unfailing encouragement, and for continually reminding me that I could do this project. John Portnoy thank you for being there over the years and for your generous information on the film industry and its internal workings. Ben Roeder thanks for introducing me to the Kendra project and for giving me some understanding of what it is like to be a broadband service provider. Ross Summers thanks especially for the insights into the streaming media industry and for tramping through all the trade shows with me, while protecting the project like a lion. Julian Medinger thank you for clear-headed thought and for explaining digital rights management to me in words of one syllable. Ray Baldock, Mike Cronk, Beth Bonness and Tim Thorsteinson thank you for granting me access to the streaming media industry from close quarters and for your thoughts and ideas on the future of the industry. Without your help and support, this book could never have been written. Mark Leonard and Rob Charlton thanks for helping to debate and clarify various issues concerning data synchronization on mobile computing
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