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(SAOL), as well as wavetables and a text-to-speech interface. Structured audio techniques in MPEG-4 allow the transmission of synthetic music and sound effects at bit-rates from 0.01 to 10 kilobits per second, and the concise description of parametric sound post-production for mixing multiple streams and adding effects processing to audio scenes. The text-to-speech interface allows speech to be produced at exceptionally low bit rates. Scalable A superset of the speech profile, it allows for scalable coding of speech and music for networks like the Internet and the Narrowband Audio Digital Broadcasting (NADIB) network. Bit rates between 6 kilobits per second and 24 kilobits per second are available, with bandwidths in the audio pass band of between 3.5 kHz and 9 kHz. Main This is a rich superset of all the other audio profiles, containing tools for natural and synthetic audio. Version 2 of the MPEG-4 standard added the following audio profiles:
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High Quality Audio This profile contains the CELP speech coder and the Low Complexity Advanced Audio Coder (AAC), including Long Term Prediction. Scalable coding can be performed using the AAC scalable object type. This profile also provides optional errorresilient bit stream syntax. It provides the highest fidelity audio coding available in MPEG-4. Low Delay Audio Intended for voice interactive applications, like voice over IP, this profile contains the HVCX and CELP speech coders (with optional error recovery syntax), the low-delay version of the AAC, and the text-to-speech interface. Natural Audio Contains all of the MPEG-4 coding tools for natural audio, but none of the synthesis tools. Intended for applications where the computational complexity or additional hardware for sound synthesis is prohibitive or unnecessary. Mobile Audio Internetworking This profile contains the lowdelay and scalable AAC object types, including Twin VQ and BSAC. BSAC stands for bit sliced arithmetic coding that provides one of the forms of scalability in MPEG-4 audio. In order to make the bit stream scalable, BSAC uses an alternative to AAC noiseless coding module, although the other coding modules are identical to AAC. A bit stream encoded by AAC can be transcoded to a BSAC bit stream noiselessly. BSAC is capable of generating a bit stream with a precise bit rate control in the range of 16 kilobits per second to
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Appendix A
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64 kilobits per second per channel. This bit rate enables the decoder to stop anywhere between 16 kilobits per second and the encoded bit rate with a 1 kilobit per second step size. Through use of this scalability, the user can experience nearly transparent sound quality at 64 kilobits per second and graceful degradation at lower bit rates. BSAC is best performed in the range of 40 kilobits per second to 64 kilobits per second, even though its operating range extends down to 16 kilobits per second. Twin VQ refers to Vector Quantization, wherein Twin VQ has different VQ tables for different audio sampling rates and bit rates. In vector quantization, the speech is coded as matches to pre-defined wave shapes (or vectors). The mobile audio internetworking profile is intended to extend communication applications using non-MPEG speech coding algorithms with high quality audio coding capabilities.
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These profiles define which graphical and textual elements can be used in an MPEG-4 scene.
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Simple 2D This profile provides for only those graphics elements that are necessary for placing one or more visual objects in a scene. Complete 2D This profile provides two-dimensional graphics functionalities and supports features such as arbitrary two-dimensional graphics and text, whether or not they are used in conjunction with visual objects. Complete This profile provides advanced graphical elements, such as elevation grids and extrusions. It also allows the creation of content with sophisticated lighting. The target application is the creation of rich and complex virtual worlds that exhibit a high degree of realism. 3D Audio This strangely named profile is all about providing a geometric description of an audio environment, to define the acoustical properties of the scene. It includes information about the virtual acoustic environment s geometry, acoustic absorption, diffusion, transparency of materials, etc. It is used for applications that do environmental spatializations of audio signals, such as surround sound.
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