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be assimilated from a number of senses and sources at the same time. This is its advantage.
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Television tells you what you can watch and when you can watch it. Broadcast schedules exist so that the broadcaster can gather the most audience share with the media assets available. For this reason, you often find that when one channel is carrying something of great interest to you, the other channels are carrying similar programming in exactly the same time slot. The audience for each is therefore diluted, in the name of attracting audience share. Ironically, if the broadcasters separated their offerings, so that a program that appealed to a particular demographic segment was never on at the same time as one appealing to the same demographic group, chances are that both broadcasters would achieve better audience figures in both time slots. Who wants freedom of choice restricted when it doesn t have to be Because streaming media can offer any program ever made at any time of the day or night, the notion of a broadcast schedule is somewhat obsolete. Indeed, there may still be programs that the content owners wish to schedule for playback at particular times, even delivered as streaming media, but this in no way precludes the viewer from opting out of the scheduled programming and seeking on-demand content. At the time of writing, this nirvana of on-demand viewing hasn t materialized. This is mainly due to fears over media piracy, lack of business models that let content owners get fairly recompensed for offering their media for consumption, the lack of a truly ubiquitous broadband network, and the fact that the only available players tend to be PC based. None of these obstacles is insurmountable and widespread ondemand delivery is undoubtedly likely in the long term.
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Anyone who has ever traveled internationally on business will know the frustration of not being able to watch programs from back home on the hotel television set, or worse still, of getting interested in a series of programs while away, but not being able to access the remainder of these back home. Students of foreign languages will also attest to how difficult it is to find programming in the language they are studying, so crucially
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necessary to achieving immersion and thus accelerated language learning, unless they happen to be in the country whose language they are learning. Streaming media makes distance irrelevant. For a viewer of streaming media with a receiver that can accept media from any compliant media server on the network, wherever it happens to be located, the possibility of accessing foreign programming is a realistic one. Distance is no barrier to access and neither is time. Streaming media allows content owners to make deep archives of media available for public viewing, cost effectively. Indeed, with some media archives, streaming makes it possible for media owners to make money on even the most ancient assets, since streaming media technology makes these assets directly accessible, with little human intervention by the media owner. Today, much of that historical media is totally inaccessible to viewers, since it is held on shelves in darkened vaults, with its physical media too delicate to leave on a player. Digital copies of this archived material need only be made once and then left on media servers for access at any future date. The choice for historical archive content owners is simple. Make little or no money by hiding those assets in vaults, or make some money making those assets available for streaming media audiences who may be interested. Niche programming is also more readily made available to an audience using streaming media technology than it is with broadcast media. Even if only a few dozen people are interested in a particular streaming media presentation, it may still be cost effective to make it available on demand. The same cannot be said if the decision is whether or not to occupy a valuable and scarce broadcast channel transmitting that same video.
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